The book is a useful source for training in acting and in dance. Exercises are suggested to improvise and explore in different ways, the basic elements that underlie all movement, which are time and space. Ideas of flow, force or shifts in weight (as in Laban)are not discussed, but the many ideas on ways to think about, to experiment and to experience relationships of bodies in space make this book a practical and a valuable...
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I have worked with both Anne Bogart and Tina Landau and grew to appreciate their unique approach. It is good to see their way of working in print finally. The book is a great resource for all who have some appreciation for what goes into making a piece of theatre. It will especially pique the interest of those who see the physical nature of the theatre as paramount. The book outlines an way to replicate the work of these...
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This book was highly recommended to me by a dancer friend, and I've found it to be extremely useful for dance improvisation sessions I'm leading with a group of non-dancers. The authors offers numerous exercises that groups can build on, experiment with, and use to generate skill and teamwork. If you're looking for inspiration for your own performance project or creative ideas for group activities, you will find them here...
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This book is a must-own for actors looking to learn about the physical traning of Viewpoints. It's great, and practical, and you'll find yourself learning. A must for every actor's shelf.
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It took forever to finally arrive.. both in the sense that it kept getting delayed, but more importantly as a director who has trained with Viewpoints and wanted to impliment them into my work. The book is very accessible to even those who have not taken any Viewpoints classes with a laid out ground plan for how to introduce each Viewpoint as well as how to use them in rehearsals and creating new pieces. The end of each...
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