The Dog of the Marriage: Stories

by Amy Hempel

Book Overview

Amy Hempel's compassion, intensity, and illuminating observations have made her one of the most distinctive and admired modern writers. In three stunning books of stories, she has established a voice... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0743264517
• ISBN13: 9780743264518
• Release Date: March 2005
• Publisher: Scribner Book Company
• Length: 139 Pages
• Weight: 0.68 lbs.
• Dimensions: 0.7" x 6.8" x 8.0"

Customer Reviews

Intense and without equal

There are many people who try to imitate Hempel's style, but in the end no one can touch the true depth of the original. The density of her work, where almost every sentence (nay, maybe even every syllable) contains every level of storytelling thin and superficial readers like "Gracie" obviously missed, is phenomenal. Hempel may not be a quick read, but she is certainly worth the extra effort. Also impressive about Hempel is how she is able to subtly shift her tones in her stories. There is a constant level of precision and tight editing to her words, even in humorous, sad and even terrifying moments. Her tight language persists whether describing the freedom of being on the open road or being the victim of an attempted rape. Yet the differing tones of these moments come across clearly. This is masterful writing. The stories of this collection, much like a lot of Hempel's other work, plot themselves through the emotions of the characters involved. In "Reference #388475848-5," an appeal regarding a traffic ticket involves the entirety of the narrator's life, and stories like "The Afterlife" and "Offertory" examine the connections people forge that may not be lasting, but do offer some individual solace. "Jesus is Waiting" and "The Uninvited" explore emotional purging through outer activity (through obsessive driving or volunteering at a rape crisis center), but like the true stories of life, nothing ever resolves easily, and often can't. Hempel does at times play the metaphor or intensity cards a little too hard with pieces like "What Were the White Things?" and "Memoir," but overall this is yet another strong collection of fiction from a writer with a scary level of talent--in a sentence, she has the ability to summate the emptiness and joys of a life...yet, she still has more to offer with the very next...

Please Don't End

I'm trying to read this book at a very slow pace because I don't want the experience to end. I wish Amy Hempel would pick up the pace and put out more stories faster, but then that might be like asking Michaelangelo to hurry up and finish painting that ceiling. Keep up the great work AH...it is inspiring.

perfect

Wow! These stories are terrific: spare and revealing, diamond sharp, and funny , too. This is the best writing I've read in ages--thank god for Amy Hempl.

Breathtaking

This collection, like all of her work, is simply breathtaking. To me she and Raymond Carver are in a class all their own. Her work is special. My favorites in this collection are, "What Were the White Things," and "The Dog of Marriage." Both stories made me laugh out loud, and cry. There are no other writers today as beautiful.

Optical Illusion

Voltaire once said: "The secret to being dull and tedious consists in our saying everything." Amy Hempel could have said the same thing, but she would have used less words in doing so. I do believe Amy Hempel has to pay for every word she types. I also believe because of this, she chooses her words wisely. Regardless, Amy Hempel had to have made a deal with the Devil to become the greatest English language writer ever to have walked the earth. What she bargained for to gain such a title I don't care, so long as she keeps writing. Having read every one of Ms. Hempel's books, it's nearly impossible to compare one with another, because every book gives me at least 1,000 quips and ideas that I pawn off as my own in order to make myself look wittier and deeper than I actually am. So I won't do that. Nor will I review "Marriage of the Dog" story by story. For two reasons: 1) I don't want to and 2) see the opening quote. Amy Hempel's writing compels you to read her stories over and over and over again. The stories are so chock full of tiny little details that I sometimes forget if i read about driving on the New Jersey Turnpike ("Jesus is Waiting") or if I did it myself; I forget if I received a parking citation from while living in New York City ("REFERENCE #388475848-5") or if I read about it. It's that consuming. And she's that good. Hempel writes in big airy strokes but is so very precise at the same time. Confused? Just read her work. She shows rather than tells. She gives you such intimate, precise details about these characters that you swear you've met them. Yet she lets you fill in the gaps of her stories, again causing that blend of fiction and reality. The book isn't perfekt, though. The last story, "Olfactory," is often too serious for its own good. Reading it, I couldn't help but think of an SNL sketch with Will Ferrell and Rachel Dratch sitting in a hot tub and talking about their respective "luvvas." Too bad it's the longest story in the book. But otherwise...the language...the imagery...the emotions. "Marriage of the Dog" is Amy Hempel's first book in seven years; it's refreshing to know she hasn't lost any of her tart wit or insight into the human condition. This book gets five stars just for the shear brilliance of it--it's unlike any other book and is amazing almost by default. "Marriage of the Dog," like most of Hempel's work, is an optical illusion: how could so few words pack such a wallop? If Honda could squeeze the same kind of power out of gasoline, the energy crisis would be solved. My favorite quote: "...the way people flatter you by wanting to know every last thing about you, only it's not a compliment, it's just efficient, a person getting more quickly to the end of you." I'll leave you with another quote that best describes Hempel's writing: "What I like in a good writer is not what [s]he says, but what [s]he whispers." --Logan Pearsall Smith