The Dissertation

by R.M. Koster

Book Overview

The second book in R.M. Koster's highly-acclaimed Tinieblas trilogy - originally published by WW Norton in the 1970s and brought back into print by The Overlook Press - is the story of Camilo Fuertes,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0393306488
• ISBN13: 9780393306484
• Release Date: January 1989
• Publisher: W. W. Norton & Company
• Length: 438 Pages
• Weight: 1.20 lbs.
• Dimensions: 1.4" x 5.4" x 8.0"

Customer Reviews

In the Finest Tradition of the Surrealists

If there's one thing I learned in graduate school, it's that the meat of a document can be found in the footnotes. Koster has brilliantly chosen to thread two stories--one contemporary, one historical--in entirely separate literary styles. Leon Fuertes' meteoric rise from abject humiliation to the pinnacle of power is followed in the main text, while the narrator's own tragic struggle with maritial infidelity and insanity(?) are detailed in the footnotes. By the end of the book, I had almost concluded that there was nothing left to experience that Leon Fuertes had not experienced. It's not often that you see such a sweeping expose on the human condition condensed into a single novel. As an aside, I found myself unable to resist the temptation of reading ahead to the next footnote. Perhaps the editor should have reconsidered lumping the narrative of the footnotes into a single appendix of endnotes. In any case, this novel was profoundly entertaining (I laughed out loud every fourth page or so--did Walt Disney really design the lobby of the afterlife?). Of the Tinieblas Trilogy, this is his masterpiece. Clever narrative techniques like this can only be used once, and Koster has unwittingly monopolized it for all eternity. Find this book, buy it, read it and store it in a vault. It's priceless.

In the Finest Tradition of the Surrealists

If there's one thing I learned in graduate school, it's that the meat of a document can be found in the footnotes. Koster has brilliantly chosen to thread two stories--one contemporary, one historical--in entirely separate literary styles. Leon Fuertes' meteoric rise from abject humiliation to the pinnacle of power is followed in the main text, while the narrator's own tragic struggle with maritial infidelity and insanity(?) are detailed in the footnotes. By the end of the book, I had almost concluded that there was nothing left to experience that Leon Fuertes had not experienced. It's not often that you see such a sweeping expose on the human condition condensed into a single novel. As an aside, I found myself unable to resist the temptation of reading ahead to the next footnote. Perhaps the editor should have reconsidered lumping the narrative of the footnotes into a single appendix of endnotes. In any case, this novel was profoundly entertaining (I laughed out loud ever fourth page or so--did Walt Disney really design the lobby of the afterlife?). Of the Tinieblas Trilogy, this is his masterpiece. Clever narrative techniques like this can only be used once, and Koster has unwittingly monopolized it for all eternity. Find this book, buy it, read it and store it in a vault. It's priceless.

A masterful work of academic sabotage

It's a crime and a shame that the works of R.M. Koster are out of print, especially the masterful "The Dissertation." (I picked up a three-book set of Koster's works at a remainder sale in Washington D.C. for a dollar.)Both a parody of and a tribute to the magical realism of Garcia Marquez, "The Dissertation" is the meat of Koster's Tinieblas trilogy. Although each of the three contains abundant wit and wisdom, "The Dissertation" is a supreme joy to read, mountainous footnotes and all.But if you look beyond the parody, you'll see a classically structured tale of fall and redemption, a light treatise on the state of Latin American politics, and a commentary on the state of Academe.

Satiric history parodies Latin novels, academe, adventure.

Koster conjures up a Latin American nation with larger than life heroes - and villains - whose lives (and the central character has many "lives") can and will transmogrify at the whims of nature and fate. The story is told in the form of a PhD dissertation (addressed to Drs. Lillywhite and Grimes of Sunburst University in a mythical place called Florida) and parodies the academic form and format hilariously. The "text" is a Grand Epic history of the Central American nation of Tinieblas and his family's place in it's story. The "footnotes" expose not only the fevered candidate's unconventional method of collecting original sources (he interviews many of the makers of his nation's history from their current homes in the afterlife) but reveals his slow emotional unraveling into a less-than-delicate madness driven by the stresses and excesses of the academic life. "The Dissertation" is a Llossa, Marquez or Allende tale told in episodes recalled after (either) - guzzling a pitcher of martinis, - dropping acid, or - gulping helium. But in addition to a finely tuned sense of the absurd, Koster writes a dead-on-the-level adventure tale. The episode in which he sends central character, Leon Fuertes, through the WWII battle of Monte Cassino is every bit as gripping a story as any James Jones might have written. This cult classic deserves wider reading. It's as much fun to read as "My Search for Warren G. Harding," "A Confederacy of Dunces," or the "Flashman" adventures from the fertile mind of George MacDonald Fraser - and especially recommended for fans of Latin American fiction who feel that the conventions of the genre could use a satirical tweak or two, or anyone who has experienced the innate absurdities that too frequently accompany the pursuit of a graduate degree. Buy it. Read it. Send a letter to Bob Koster about how much you enjoyed it. Maybe he'll write us another one this good.