The Dialogic Imagination: Four Essays

by Mikhail Bakhtin

Book Overview

These essays reveal Mikhail Bakhtin (1895-1975)--known in the West largely through his studies of Rabelais and Dostoevsky--as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy...

• Format: Paperback
• Language: English
• ISBN: 029271534X
• ISBN13: 9780292715349
• Release Date: January 1982
• Publisher: University of Texas Press
• Length: 480 Pages
• Weight: 1.43 lbs.
• Dimensions: 1.1" x 6.0" x 9.0"

Customer Reviews

dialogic imagination review

this supplier made the process exceptionally easy. The book came in very good condition and on time. The book itself may be considered a difficult read due to the nature of Bakhtin's language, but, overall this text has been very helpful in relation to my lit classes.

Conversation vs. Generic Being

Bakhtin is quite a character, and much more accessible as a writer than the reviewer below might suggest in this volume. He has been regarded as the most important theorist of the novel, perhaps ever. But when he celebrates "the novel," it is not always obvious if he's discussing actual novels, an idea ubernovel, or a quality that is novel. I prefer the latter interpretation, but all three are possible. The crown jewel of this collection of essays is the third one, on the crhonotope. Here, Bakhtin inquires into what amounts to genres of being in narrative space and time. The vampire's lair, the old western saloon, the medieval castle... These chronotopes circulate around in our heads, and can get dangerous if you try to actualize them in the wrong way. Bakhtin himself experienced the horrors of the Stalinist version of the Worker's Paradise chronotope. Enter "the novel", the potential for nongeneric being, open-ended action. That's freedom, no? Meanwhile, it's great fun to inquire into how the chronotopes in your neighborhood operate, and perhaps to unpack them. Ideals in the U.S. about how a "perfect American" may move and have his/her being might be a good place to start, assuming introspection is not yet so unpatriotic as to become illegal yet...

Bakhtin at his best

I was introduced the Bakhtin, by way of this book, in my grad literary theory course. I found him at the time to be a long-winded individual who took 200 pages to say what could have been said in 50. How wrong I was.I've since become very enamored of Bakhtin's ideas and I think now that this collection was a wonderful place to start. Yes, Bakhtin is demanding but once you step up to the challenge you will find yourself rewarded beyond your wildest dreams.The key to this whole collection is the final essay, Discourse in the Novel. This is perhaps his most influential work and it contains some very interesting ideas about the novel, the definition of language and how labguages interact with one another. I would not recommend that a newcomer to Bakhtin start here. If you pick up this volume start with the first essay, Epic and Novel, and go from there. The writing gets progressively more dense and the ideas build on each other so you'll be quite lost (like I was) if you try to tackle Discourse first.

Bakhtin's most important and influential work on the novel

This book consists of four essays of Bakhtin's "Middle Period", two short and two longer works which have been arranged, according to complexity, with the most accessible essay first and the most difficult last. Cooincidentally, this is also the reverse order in which they were written. None of these essays were avaiable in English before the present translation/compilation by Emerson and Holquist, and judging from its many reprintings (the 10th by 1996), quotations and misquotations, and various interpretations, it is the most influential of Bakhtin's works. Some brief notes on the four Essays:1. "Epic and Novel" dated 1941 - A rather straightforward comparison of the Novel and the Epic. Its aim is to show the distinctiveness of the Novel. This can be seen as a transitional essay between the Chronotope Essay and the Bildungsroman Fragment. It is well organized and introduces several characteristics unique to the novel such as three-dimensionality, imagery and openendedness.2. "From the Prehistory of Novelistic Discourse" dated 1940 - This is in essence a brief history of the novel according to Bakhtin. It concentrates on style, theory and as the title states, discourse, beginning with Greek works and going to the Renaissance. Conceptually this is strikingly similar to Erich Auerbach's "Mimesis". This essay is incomplete.3. "Forms of Time and Chronotope in the Novel" dated 1937-38 - Another long (175 page) discussion on the distinctiveness of the novel. The concept of the Chronotope is introduced simply as "time space" and the essay seeks to show its use from the Greek Romance to the novel of the 19th Century. Bakhtin inserts here also a discussion of the "Rabelaisian Chrontope", the role of the clown, etc. Special emphasis is also given to the Blidungsroman. This essay, it seems to me, is essentially, Bakhtin's own favorite Reading list in which he experiments with his own concept of Chronotope, skillfully fitting it to each work. Despite its digressions it is basically a chronological presentation.4. "Discourse in the Novel" dated 1934-35 - Another lengthy essay which is in essence Bakhtin's discussion of his philosophy of language. This essay also seems to be unfinished. It consists of five distinct parts in which Bakhtin experiments with different approaches to discourse in the novel. As is often the case with Bakhtin, this essay is also open-ended.I find this compliation of four essays to be most stimulating. It seems to be well translated and edited. Ample footnotes assist the reader with Bakhtin's many, sometimes obscure, literary references. In my opinion, particularly the last two essays, constitute Baktin's most important work on the novel. Those expecting distinct conclusions and theories will be disappointed, because this is not the aim here at all. Bakhtin instead provides many different starting points from which to continue the study of the novel. This is, for example, what makes the chronotope indefinable, because it is constantly

damnably brilliant

Bakhtin arguably at his best. Sure the final essay in the volume is not an easy read, but if you think Bakhtin is hard to read try Heidegger when he grooves along with his own lingo. Bakhtin's key idea of contextual language and the many voicedness of novels against the backdrop of an author's voice and that of his times is prehaps the sum total of what the novel as a genre is. In fact, the novel is not quite a genre but an ongoing process that escapes ossification as it changes with the times. Wonderfully done.