The Debacle

by Émile Zola

Book Overview

The penultimate novel of the Rougon-Macquart cycle, La Debacle (1892) takes as its subject the dramatic events of the Franco-Prussian War and the Commune of 1870-1. During Zola's lifetime it was the... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0140442804
• ISBN13: 9780140442809
• Release Date: March 1973
• Publisher: Penguin Classics
• Length: 512 Pages
• Weight: 0.60 lbs.
• Dimensions: 7.8" x 0.9" x 5.2"

Customer Reviews

Best (anti)war novel ever?

Emile Zola's La Debacle, the 19th of his 20 volume Rougon-Macquart series, describes the crushing defeat of the French armies at the hands of the Prussians in the Franco-Prussian war of 1870-71. During Zola's lifetime, this novel was regarded as his masterpiece. History has decreed that it would be Germinal that would be more enduring, but this is still an outstanding novel. All the stories in this series are linked with recurring characters and interwoven plot lines. Like Germinal, this is a story of destruction and rebirth. This novel is divided into three sections. In Zola's typical style, each section is focused on a period of several days, with several weeks or months between sections. The main character of the story in Jean Macquart, a character from an earlier novel (La Terre) in the series. Macquart is an enlisted soldier marching to the front with his comrades to face the Prussians. Zola, never a soldier himself, describes well the lot of Jean and his comrades. Lots of marching, fatigue, boredom, and grumbling about the leadership. Hanging over the story, and unbeknowst to the characters, is the coming whirlwind. The Emporer himself (Napoleon III) makes an appearance, but it is rather tragi-comic. The second section is focused on the battle of Sedan. There are several story threads designed to explain the action of the battle at different times and from perspectives. The descriptions are quite graphic and detailed. Ultimately, the French Army is totally destroyed, the surviving characters become prisoners of war. In the third section, Jean is reunited with his comrade Maurice in Paris at the height of the Commune. The primary theme of this novel is to describe the `rot' of the Third Empire, and how its destruction gives the survivors hope for a brighter future. The Oxford World Classics translation is outstanding. It contains detailed endnotes to explain topical or historical references that would be lost on modern English speaking/reading audiences. There are several maps and a detailed list of characters to keep everything straight. This edition also contains a well written introduction to allow the reader to place the novel in historical and literary context. I have several thoughts about this novel that potential readers may or may not find interesting. First, this is an outstanding novel, whether one likes war novels or not. Zola is one of the greatest novelists ever to put pen to paper, and this is arguable one of his best works. The characters in this story are detailed and realistic, the dialogue outstanding, and the plot complex and compelling, but easy to read. Anyone who is afraid of approaching Zola because of past experience with the 19th century English `greats' should not be concerned. Zola has none of the pretentiousness or Victorian puritanism of his English contemporaries, and his writing, while often gloomy, is not ponderous. Second, with the exception of a few small tweaks for poetic li

Classic Tale of War

This was an amazing story about the Franco-Prussian war, but it could have been about any war and the destructive influence it has on men and women, and on all human relationships. Zola tells the story, in vivid, sometimes gruesome but always very compassionate and heartbreaking detail (most of the plot is based on real historical events), of the absolute disaster that was the Franco-Prussian "debacle" of 1870-1. For anyone interested in French history, it is required reading. This was an absolutely pivotal event in the formation of the Third Republic and the death of the Second Empire, an Empire which Zola had already suggested in his previous novels was rotten to the core. Writing twenty years after the event, Zola was describing a memory still vivid in the minds of most of his readers. The Franco-Prussian war was truly a debacle. Not only had Napoleon III provoked the French into a doomed war with the Prussians, who with their superior artillery and military tactics ended up invading France and slaughtering and starving thousands upon thousands of men, but he ultimately set the French against each other when, at the end of the war, some Frenchmen and women wanted to surrender the hopeless cause-and some wanted to fight to the death-their deaths-on principle. Many of the French showed amazing bravery and refused to surrender, even after Napoleon III was taken prisoner and a new French government acted to conclude the war. In a famous and tragic episode, after the war was lost and many French were working to effect a surrender, political radicals staged a hopeless but heroic last stand in Paris, electing an independent municipal government-the famous Paris Commune-and holding the city. Eventually other Frenchmen were finally set against their brothers to force them to wave the white flag. In their determination to not yield one inch of the soil to the Prussian invaders, in one of the most powerful and haunting scenes in the novel (and in history), the Commune sets Paris on fire and Zola describes the entire city of lights roaring with fire, gone up with smoke and having turned the sky red. If you've ever been in Paris it's a compelling scene and you'll remember all the places he mentions if, like me, you've spent some time there. It's odd to think that the Pere Lachaise cemetery, where so many of us go to see the graves of Oscar Wilde, Sarah Bernhardt, Jim Morrison or Abelard and Heloise (a site featured on an episode of America's Next Top Model no less!) is where thousands of French radicals-and uninvolved Parisian civilians as well- were lined up against the wall and shot point-blank in summary executions-by their own countrymen-something that Zola and others would never forget. I think it's very important that Zola dealt with these crimes in his novel. Although Zola doesn't pretend that some of the Communards were not, in fact, war profiteers or criminals, he has much sympathy with some of them and their sincere politic

Entirely underappreciated

War has served as the back drop of many literary masterpieces: The Illiad, War and Peace, The Red Badge of Courage, All Quiet on the Western Front, Catch-22. Zola's "La Debacle," set during the Franco-Prussian War of 1870-71, is every bit as good as these classics. Yet, somehow, this piece seems to have been dropped from the list of war novel classics.Zola spent 20 years researching the conflict in great detail and his novel is as faithful to historical fact as any ever written. Few military defeats have been as sudden, unanticipated, complete and humiliating as the French collapse in 1870. Zola captures the demoralizing effect that the vertiginous orders and counter-orders had on the French troops in the early phases of the war. A complete lack of planning and mobilization plans, along with inefficient communications and intelligence services, led to scattered units marching aimlessly in search of the enemy without food or shelter and without any general plan of operations. The French were truly defeated before ever making contact with the Prussians. La Debacle is as a good an illustration of the "fog of war" as any I've read.

The Reality of War

This is the most descriptive book on what war really all about that I've read, fiction or non-fiction. All Quiet on the Western Front comes close but this book looks at the civilian hardships also. It does not in my opinion however have a pacifist slant. The message I got was that wars should not be entered into lightly and with full awareness of what the results can be. Military strength and diplomacy should both be effected to avoid war. Should be required reading for all wanna be hawks and their counterparts the doves.

The mother of all war novels

An excellent, gut-wrenching account of the Franco-Prussian War and its aftermath as experienced by ordinary people, both soldiers and civilians (for this was perhaps the first example of total war as we know it today). Ideally suited for the big screen, though in fact never filmed, the story's epic sweep and tragic ironies have been much copied by later writers and are now all too familiar to twentieth century readers of war novels. Unfortunately, most modern readers will not read this book as it is about the French, and many French people won't read it because it is about their country's defeat and the chaotic military disorganization that preceded it. A pity really, because this novel helps explain the French attitudes towards Germany that dominated their thinking for the first half of the twentieth century and helped lead to the First World War and the rise of Hitler.