Evan Weir's pipe was foul; he threw it down with an exclamation of disgust. Its foulness was symbolic; everything was out of kilter. He looked at the picture he had been painting for a week-rotten It was a still life; a broken jar and three books on a rag of Persian embroidery. Picking up his pen-knife he deliberately cut the canvas out of the stretcher, and setting a match to a corner of it, tossed it in the empty stove. He paced up and down the...