In this issue of the award-winning magazine, Tasmanian cartoonist Simon Hanselmann discusses how his webcomic -- starring a witch, a cat, and an owl -- became an internationally acclaimed, best-selling phenomenon. Thematically, #304 highlights labor and economics -- the past and the future of organizing a comics union, work-for-hire contracts, and how comic conventions can better serve creators -- with the Journal's hallmark candor. Other features...
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Comics & Graphic Novels