The Chant of Jimmie Blacksmith: The Classic Novel of an Aboriginal Torn Apart

by Thomas Keneally

Book Overview

The extraordinary Booker Prize shortlisted story of a black man's revenge against an unjust and intolerant society. Thomas Keneally was born in Sydney Australia in 1935. He studied to be a Catholic priest but abandoned his vocation to take up teaching and writing. He is the author of numerous works of fiction and non-fiction including "Schindlers Ark" which won the Booker Prize in 1982 and was made into a successful film.

• Format: Paperback
• Language: English
• ISBN: 0140036202
• ISBN13: 9780140036206
• Release Date: December 1989
• Publisher: Penguin Group
• Length: 177 Pages
• Weight: 0.37 lbs.
• Dimensions: 0.5" x 5.1" x 7.8"

Customer Reviews

the best postcolonial book that u can read

this book is SO good and really explores the derangement and insanity that comes with being born mixed white and indigenous. im overjoyed to have a physical copy for my bookshelf so even if the book gets banned someday i can still read it

Aboriginal Australian naked

Kenneally delivers to the reader a carefully crafted and authentic story which evokes the nature and conditions of living in the Australian Bush before the arrival of the motor car. The alienated spirit of Jimmy Blacksmith cannot rest. The author gives his characters a humanity that displays empathy and understanding without sugar-coating. Why otherwise good people do bad things and how that effects those involved is insightfully portrayed. James Pope

Other Books

Jimmie Blacksmith is a halfbreed, if you will. One white and one aboriginal parent. This gives him access to more opportunity at the time, than the fullbloods. His exposure to this society and their treatment and attitude towards him and his people leads him to snap. Very violently.

As fresh and trenchant as the day it was written.

One would hope a book written about race relations thirty years ago would be irrelevant and possibly dated today. Unfortunately, Keneally's stunning indictment of turn-of-the-century racism, in this case that of Anglo settlers towards Australia's native aborigines, remains vibrant and powerful, even after these many years. Literally timeless in its message and articulate and graceful in its execution, The Chant of Jimmie Blacksmith could have been written about many minorities subjugated during many periods in many different countries. The basic story is not unique. Half aborigine and half Anglo, Jimmie Blacksmith grows up in aborigine culture. Because he is light-skinned, however, he is able to obtain jobs on white landholdings more readily than other aborigines, and there he is exposed to Anglo culture--with all its stated, good intentions, but its sometimes patronizing attitudes and selfish goals. After being worked hard and cheated from his earnings repeatedly, Jimmie snaps, visiting on his former employers the kind of fatal "justice" which has so often been dealt to the aborigines. As vigilantes and police join forces to apprehend Jimmie, we see all the conflicting attitudes toward life and justice which undermine the creation of a unified, fair society. The throbbing drumbeat of Jimmie's chants and Keneally's insistent narrative pace combine with our revulsion toward Jimmie's actions, to catch us up in the emotions of both the pursuers and the pursued. Our understanding of Jimmie and our empathy with him make us long for his redemption at the same time that we are anxious for justice to take place. Keneally's resolution is brilliant, fittingly combining the best elements of both of Jimmie's worlds. This is a wonderful novel which deals with a complex and sensitive subject without polemics or convenient, easy solutions, and it's as relevant today as it was when it was written. Mary Whipple

Still haunting after all these years.

One would hope a book written more than thirty years ago about race relations at the end of the nineteenth century would be irrelevant and possibly dated today. Though a novel like The Chant of Jimmie Blacksmith could have been written about many minorities subjugated during many periods in many different countries, Keneally concentrates here on Anglo settlers and their attitudes towards Australia's native aborigines. Timeless, articulate in its presentation, and graceful in its execution, the novel remains vibrant and powerful in its universal message, even after these many years. The basic story is not unique. Half aborigine and half Anglo, Jimmie Blacksmith grows up in aborigine culture. Because he is light-skinned, however, he is able to obtain jobs on white landholdings more readily than other aborigines, and there he is exposed to Anglo culture--with all its stated, good intentions, but its sometimes patronizing attitudes and selfish goals. After being worked hard and cheated from his earnings repeatedly, Jimmie snaps, visiting on his former employers the kind of permanent punishment which he has seen so often being dealt to the aborigines. As vigilantes and police join forces to apprehend Jimmie, we see all the conflicting attitudes toward life and justice which undermine the creation of a unified, fair society. The throbbing drumbeat of Jimmie's chants and Keneally's insistent narrative pace combine with our revulsion toward Jimmie's actions, to catch us up in the emotions of both the pursuers and the pursued. Our understanding of Jimmie and our empathy with him make us long for his redemption at the same time that we are anxious for justice to take place. Keneally's resolution is brilliant, fittingly combining the best elements of both of Jimmie's worlds. Shortlisted for the Booker Prize in 1972, the novel deals with a complex and sensitive subject without polemics or convenient, easy solutions, and it is as relevant today as it was when it was written. Mary Whipple

As fresh and trenchant as the day it was written.

One would hope a book written about race relations thirty years ago would be irrelevant and possibly dated today. Unfortunately, Keneally's stunning indictment of turn-of-the-century racism, in this case that of Anglo settlers towards Australia's native aborigines, remains vibrant and powerful, even after these many years. Literally timeless in its message and articulate and graceful in its execution, The Chant of Jimmie Blacksmith could have been written about many minorities subjugated during many periods in many different countries. The basic story is not unique. Half aborigine and half Anglo, Jimmie Blacksmith grows up in aborigine culture. Because he is light-skinned, however, he is able to obtain jobs on white landholdings more readily than other aborigines, and there he is exposed to Anglo culture--with all its stated, good intentions, but its sometimes patronizing attitudes and selfish goals. After being worked hard and cheated from his earnings repeatedly, Jimmie snaps, visiting on his former employers the kind of fatal "justice" which has so often been dealt to the aborigines. As vigilantes and police join forces to apprehend Jimmie, we see all the conflicting attitudes toward life and justice which undermine the creation of a unified, fair society. The throbbing drumbeat of Jimmie's chants and Keneally's insistent narrative pace combine with our revulsion toward Jimmie's actions, to catch us up in the emotions of both the pursuers and the pursued. Our understanding of Jimmie and our empathy with him make us long for his redemption at the same time that we are anxious for justice to take place. Keneally's resolution is brilliant, fittingly combining the best elements of both of Jimmie's worlds. This is a wonderful novel which deals with a complex and sensitive subject without polemics or convenient, easy solutions, and it's as relevant today as it was when it was written. Mary Whipple