The Boy Next Door

by Irene Sabatini

Book Overview

In Bulawayo, Zimbabwe, there is a tragedy in the house next door to Lindiwe Bishop -- her neighbor has been burned alive. The victim's stepson, Ian McKenzie, is the prime suspect but is soon released. Lindiwe can't hide her fascination with this young, boisterous and mysterious white man, and they soon forge an unlikely closeness even as the country starts to deteriorate.

Years after circumstances split them apart, Ian returns to a much-changed...

• Format: Hardcover
• Language: English
• ISBN: 031604993X
• ISBN13: 9780316049931
• Release Date: September 2009
• Publisher: Little Brown and Company
• Length: 416 Pages
• Weight: 1.05 lbs.
• Dimensions: 1.3" x 5.8" x 8.4"

Customer Reviews

Coming of Age in Zimbabwe

The Boy Next Door is a story of coming of age in Zimbabwe, with the added wrinkle of interracial relations. We hear much about South Africa and the downfall of apartheit. However, less is known about the savage metamorphosis of the neighboring country from Rhodesia to Zimbabwe. This history of this conflict frames the story in The Boy Next door. It is also the story of an interracial relationship between a white African and a younger native black girl/woman. These intertwined stories make for a powerful first novel by Irene Sabatini. The story is captivating, although at times it becomes a bit confused. This confusion arises from this reader's unfamiliarity with the geography and history of the struggle within Zimbabwe. A map and historical time line would have been helpful. But, overall, this was a good read.

A moving and unusual coming of age story

The Boy Next Door, like many good stories, is difficult to characterize. The story of Lindiwe is a coming of age story and a love story. But since begins in Zimbabwe in the 1980s, The Boy Next Door gives us unique insight into the political upheaval and violence that accompanied those early years of independence from British rule. Lindiwe and Ian McKenzie are both interesting and sympathetic characters in their own right, but the extraordinary circumstances that they find themselves in makes The Boy Next Door an engrossing and memorable read. Irene Sabatini has come up with a brilliant debut novel and I look forward to reading her next work. Publisher:Little, Brown and Company; 1 edition (September 8, 2009), 416 pages. ISBN: 031604993X Review copy provided by the publisher.

Extraordinarily epic debut.

Breathe in. And out. Where do I begin with this review? I received this book from Hachette Book Group; I'll start there. It sat on my bookcase for a while before I was ready to pick it up; it was intimidating and large and serious looking and I knew I needed to be ready for it. I started it, and fifty pages in I stopped and restarted it, and I'm glad I did. Restarting it allowed me to settle in with the narrative voice, it let me be fully familiar with Lindiwe and the way she uses memories to fill in the past so I can understand what makes the present so profound. The Boy Next Door is epic. It spans decades. It follows Lindiwe from adolescence through her transformation into a woman. She is fourteen when the novel starts, and her seventeen year old neighbor has been arrested for lighting his stepmother on fire. That's how the novel starts. But that's not where it stays. It follows Lindiwe and her neighbor, Ian, through post-independant Zimbabwe, through race tensions, and revolutionary riots, and love ,and loss, and danger. Part 1 begins in the 1980's. Lindiwe is a young girl, shy, surrounded by racism and a country in transformation. Ian seems worldly to her, having been released from prison and returned to Bulawayo. They form an unlikely friendship, secret from the world. They are pulled together by an inexplicable bond that lasts through war and riots and years apart. Part 2, the early 90's, finds Lindiwe grown into a young woman, attending school, with a future. Her childhood crush develops into something mature and deep. But there is always an overhanging sense of unease in Sabatini's writing; as though we know this happiness between Ian and Lindiwe cannot possibly last and be peaceful for the next 200 pages. Part 3, the mid 90's becomes quick and tense. Revolutionary turmoil abounds, people are killed and murdered and violence surrounds them. The tension continues into the late 90's in Part 4. It peaks and I was left breathless waiting for the end. There is so much more I could write, but it would spoil the novel and you really need to read it and experience it first-hand. Sabatini's debut novel is intense and beautiful and artistic. She captures Bulawayo and other places in Zimbabwe and they become characters in her writing, living breathing, forming new stories. The relationship she paints between Ian and Lindiwe is enormous and tragic and joyous all at the same time, it flows up and down with a life of its own, and we're taken along in the river and cannot escape. We could hardly wish to. This novel was a debut novel, and it was beautiful. I had tears in my eyes. I suspect we'll all be hearing about Irene Sabatini in the future.

Slightly different writing style, but excellent story

"The Boy Next Door" is an engrossing novel that starts out as a mystery of sorts (did Ian really do it?) in which curiosity about her neighbor leads to friendship and then love. But it's not an easy love. The writing style was a bit rambling at times, especially at the beginning when the story often sidetracked in time or focus. However, I didn't find this distracting and was able to follow what was going on. The author also primarily wrote in the present tense ("he says" instead of "he said"), but for once this didn't bother me at all. The characters were complex and often hurting as they dealt with realistic problems. I came to care about them a great deal. The novel wasn't dark, but it was gritty and painfully honest. Bits about the violence of the war were briefly told in the story (but not in "blood-and-gut" detail). There was some mention of church, church activities, etc., but this isn't a "Christian" book. Both Christians and non-Christians will enjoy it. There was some slang and local terms that were not completely obvious from context nor explained (though most were explained much later), but understanding these words was not critical to understanding what was going on. Ian (and occasionally others) used some cussing and swearing in his dialogue, so there was a minimal amount of bad language. There was unmarried, very non-graphic sex (in fact, sometimes I wasn't sure if that's what happened). I liked that there were realistic consequences to all of the characters' actions including sex. Overall, I'd highly recommend this book as well-written, fairly clean reading. Review by Debbie from Genre Reviews (genrereviews. blogspot. com)

Love in a disintegrating land

This is a memorable and highly assured debut novel. In a crowded market of first novels this one stands out both for its unusual setting - Zimbabwe in the years following independence in 1980 - and for its sure handling, a keenly observed story by a writer who clearly knows the world she describes and who is obviously passionate about all her characters. Lindiwe and Ian are the protagonists, neighbouring teenagers who inhabit very different worlds, she a black Zimbabwean, he a 'Rhodie' with the attitudes of a ruling elite. A terrible event brings them to each other's attention, and through the years of post white-minority rule their relationship develops from immature curiosity to - well you'll just have to read it to find out exactly what. Suffice to say each has a profound effect on the other, as their paths cross while their country goes through increasingly troubled times. This is described as a love story in promotion and it's certainly that. However I felt it was so much more and that simple description didn't really cover the complexity of the situation. It's love, but love in a world undergoing wider turmoil as the Mugabe government, widely approved as a model of African democracy, descends into a regime of paranoia and fear. The political situation touches the worlds of these characters but it's not central and at its heart this is certainly a novel about people and not politics. It's to the author's great credit that she breathes life into her characters, with even comparatively minor figures fully rounded and believable. Lindiwe's family are convincingly drawn, with subtlety and at times surprising detail. For example at a distance of thousands of miles and almost three decades it seemed astonishing to me that teenage girls were pinning posters of Duran Duran on their walls in Zimbabwe/Rhodesia just as in Europe and maybe the USA, but in fact they were. The mix of values, of clashing cultures, the search for personal happiness in a new nation racked by corruption, racism and the 'slim disease', all these pervade 'The Boy Next Door' and lift it well above other books you'll see described as 'love stories'. Highly recommended.