During the last half of the twentieth century in France, Maurice Blanchot was a key figure in exploring the relation between literature and philosophy. He developed early on a distinctive, limpid form of essay writing, and his essays, in form and substance, left their unmistakable imprint on the work of the most distinguished French theorists. The writings of Barthes, Foucault, and Derrida, for example, are hardly imaginable without Blanchot.