In 1954, the French writer, politician, and publisher Andr Malraux (1901-1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le mus e imaginaire de la sculpture mondiale. The enchanting metaphor of the mus e imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications,...