This small novel displays a new vision of language to describe human nature. It is highly readable - one is seduce by the simple beauty of Janet Kaufman's prose. The central character is a woman, and in her multiplicity of selves she is air, earth, water and fire. The language meanders slowly and gently like the barely-noticed tributaries of a small stream. There is delight in every image, as physicality is restored to language, and "lost geographies" are recovered
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