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Paperback The Best American Short Stories Book

ISBN: 0618788778

ISBN13: 9780618788774

The Best American Short Stories

(Part of the The Best American Short Stories Series and The Best American Short Stories Series)

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Format: Paperback

Condition: Very Good

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Book Overview

This brilliant collection, edited by the award-winning and perennially provocative Salman Rushdie, boasts a "magnificent array" (Library Journal) of voices both new and recognized.With Rushdie at the helm, the 2008 edition "reflects the variety of substance and style and the consistent quality that readers have come to expect" (Publishers Weekly).

"We all live in and with and by stories, every day, whoever and wherever we are. The freedom to...

Customer Reviews

5 ratings

Plethora of Style

Anyone who appreciates different styles of writing will enjoy this book, as with the previous years. The collection of short stories is extensive to include at least one story to entertain everyone. This book is a must-have for college classes that cover the different literary techniques.

Best collection in years

I've been reading this series on and off since 1992 when a friend gave me a copy of the 1991 edition. Some years I've loved it, some years not, and I think that's part of what's great about the collection - because the editors are different, when your taste aligns with them you're really in for a special treat. As an example, I don't align with Stephen King at all. Last year's collection was difficult for me to get through. Some good writing but the overall tone was irritating. Not so for this year. There is something about each story that is exciting. Unexpected but undeniably true events or actions or insights into human nature that to me, truly elevate the stories in this collection to qualify for "the best". Addressing some of the other reviews - - "Fabulist" - I'd agree, but I personally like stories that detail realities that are like ours but not quite but really, aren't most people's perceptions of reality different, and doesn't that make a good basis for a story? - "stylistically trendy" - if stories that don't have exactly the same 1990's-style semi-detached perspective, describing somewhat depressed people making somewhat bad choices and then reacting to the results with some equivalent of "oh. OK." are trendy then alright, this is trendy. Thankfully. Joy, excitement, horror, desperation for redemption, what set these stories apart for me from that style is that the characters have arcs. Think Somerset Maugham. Or just think, because that's what a lot of these characters do. - "approval of pedophilia" - I guess stupidity follows Mr.Rushdie around like a hungry puppy. If you're looking for all your writing to include moral condemnation then stick to Ann Coulter. There's nothing in this book that promotes pedophilia. I hope next year's editor chooses as well.

Bought for an exchange, it was well received

I bought this for a holiday gift exchange and it was pretty well received. They tried to read as many stories as possible before the holidays were over. I didn't get to read any so I can't personally speak to the stories.

And Miroslav Penkov is not even American

Last night I read the first paragraph of every short story in THE BEST AMERICAN SHORT STORIES 2008 to determine if any first paragraph made me want to read the second paragraph. Only one did: "Buying Lenin" by Miroslav Penkov. Mr. Penkov is from Bulgaria. I found the story exceptionally well written. It's a given that I'll be buying any publication that Mr. Penkov writes in the future. I am not a professional reviewer, but I know a great author when I read one. Entertaining as well was the biography in the back of the book on this new author. Of course I'll probably read the others stories that were written by the likes of Jonathan Lethem and Alice Munro.

Recommended

I look forward to this series every year, so it was with high hopes that I opened up this year's editon and began to read. The format is the same as it has been for years, with Ms. Pitlor cherry picking stories and handing over a hundred or so vetted stories to the guest editor. I don't get too caught up in who the guest editor is in any given year - I think Ms. Pitlor does a good job in gathering a pool of quality stories, but this year I thought the overall effort was slightly below the average. Four of the stories in the collection come from Harper's Magazine, and while I was glad to see the series move away from being so New Yorker oriented, I subscribe to Harper's, so those stories weren't new to me. To of them deserved rereading anyway - the masterful Alice Munro with "Child's Play", and Nicole Krauss, "From the Desk of Daniel Varsky." Two of the three stories from the New Yorker were also quite well done - "Puppy", by George Saunders, and "Nawabdin Electrician" by Daniyal Mueenuddin. Others that I felt really rose above were "Buying Lenin" by Miroslav Penkov, "Man and Wife," by Katie Chase, and "Straightaway," by Mark Wisniewski. Four of the stories in this collection would fall under what I would loosely consider 'Fabulist' stories, and those are not really my thing, although I still enjoyed "Man and Wife." Perhaps that is a trend, because I don't remember as much of that in years past. One of the things I've always enjoyed about this series is that it collects stories I'm sure I'd never get to see otherwise, and that always makes it worth it to me. This year, I would just have to say that not all of it was as interesting to me as other years. I would still definetly recommend it to anyone who enjoys short stories.
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