The Best American Poetry 2006: Series Editor David Lehman

by Billy Collins

Book Overview

"So welcome, readers, to a plurality of poets, a cornucopia of tropes, and a range of interests." -- From Billy Collins's introduction The Best American Poetry series offers a distinguished poet's... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0743257596
• ISBN13: 9780743257596
• Release Date: September 2006
• Publisher: Scribner Book Company
• Length: 197 Pages
• Weight: 0.60 lbs.
• Dimensions: 0.7" x 5.6" x 8.3"

Customer Reviews

the best I've read in the series

There is no doubt in my mind that 06's collection is the best I've read (and I've been reading them for some time now), though to be fair, somehow I missed 2005--though I'm not much for Hejimen's taste. I'm not surprised how good this one is though, after all, Billy Collins selected them, and he is a phenomenal poet with great taste. He picked poems that covered all schools but were told in language and images that we can all appreciate and understand. Keep picking poets like this (hey, consider Gioia, Dave Mason and R.S. Gwynn--they'll give you collections as good or better than even this one.).

A wonderful sampling of contemporary poetry

Since a great many contemporary poems leave me confused or disappointed, I was delighted to connect positively with so many of the seventy-five poems selected by guest editor, Billy Collins. The editor's Introduction brought insights that contributed to my enjoyment, as well as providing guidance to would-be poets. Of course, the guest editor makes a huge contribution to the success of this annual series, and Billy Collins has ferreted out some treasures for 2006.

Poems Selected for their Modern Beauty

In my mind, poetry books should be a little like a movie, comfortable like your favorite chair and mostly an unforgettable experience. I will agree that most poems are only appealing if they somehow find their way into your psyche and heart in a way that is comforting, shocking, beautiful or even soul revealing. Each poet is a world unto themselves and each poem is a door into a magical world where you either love or dislike the pathway you have chosen. The beauty of poetry is in how we vary in how we relate to any particular poem. In "The Best American Poetry 2006," I found so many doorways to new thoughts it was as if this book contained 20 worlds from which to view life and its many moments invisibly charged with crystalline emotions, edgy contemplations, tantalizing twists and taunting mysteries. I was relieved to read that even Billy Collins was unfamiliar with so many of these modern poets, although I was delighted to have found so many new poets whose work I enjoyed. Being a fan of Billy Collins' poetry seems to have enhanced my reading experience. His humor seems to jump out from various poems in a way that you might find his poems funny. The surprising elements seem to mirror some of his own poetic genius and his love for scene painting with delicious sentences makes many of these poems comforting escapes into a certain normality infused with the inevitability of surprise and a subtle infusion of emotional complexity. Just as in life, some of the poems have a mind of their own and take off in playful directions, almost guiding the poet's mind in a temptation of language lust. If you are looking for poems with highly complex structures and obscure words you need to look up in a dictionary, this does not produce such literary excitement, but what it does produce is a variety of emotional responses. These range from outright elation and laughing to deeply profound moods born of a life lived with longing and moments of reflection and regret. From the fascinating foreword by David Lehman to the contributor's notes and comments, this book is filled with poems, stories of modern poets and journeys through worlds we know and love. We are at times riding on a boat writing a poem that sounds more like a letter (The Ferry), entering a bibliomaniac's world where a book is more appealing than the sight of a woman (Refusal to Notice Beautiful Women) and returning to past moments of great romantic significance as in the poem by Beth Ann Fennelly. In Sarah Gorham's poem she speaks of two different ideas, but they merge and a beautiful image of souls falling like stars descends on your imagination. A poem about a Mermaid brings a sweet playfulness to the book and one poem takes you on a jaunty ride into rhythmic pleasure. There are a few poems with shocking conclusions that are quite funny and others that left me wondering how the poet was able to survive emotionally all these years to write about such disaster of the heart. My heart was ca

More Keillor than Kleinzahler. What, is that a problem?

I like this book, an annual publication with this year's selection and introduction by Billy Collins. I doubt that I would select these particular 75 as the "best" of the year if I were the emperor, but these poems are very readable, quite varied, and their subjects are often of considerable human interest, including several that are quite humorous. The sources include such varied publications as The New Yorker, Five Points and New American Writing. You don't need an MFA, an encyclopedia of mythology or a French dictionary to read it. Most lines make sense! Every poem has an expanded note at the back of the book that tells a little about the author and (in most cases) a little about the author's view of the poem. Some people would hate this feature, but I liked it. My criticism? Almost the same as my praise. The poems are a little too vanilla, a little too PBS/NPR. The selection seems to be aimed at an older, middle-class audience that fancies itself to still have some intellectual sea legs, but doesn't want to get off the cruise ship and mix with the locals (there - I said it). There's not much for the adventurous or those who are looking for challenges, experimentation, unusual verbal/mental stimulation, or points of view beyond 1 standard deviation. Those who are familiar with pop literary criticism will fit this book somewhere into the kleinzahler-keillor spectrum and probably takes sides accordingly. I lean toward the kleinzahler in my preferences, but would definitely put this book in the keillor camp. The poet demographics are largely older white men, though there is a sprinkling of females (several, actually), youth, other nationalities, and people of color. Geezers are capable of some good poetry, and this book gives some examples. There were several poems that I enjoyed a lot. These include "Race" by Bao Phi, "Religion" by Robert Wrigley, "Briefcase of Sorrow" by Richard Newman, and "The Sharper the Berry" by Mark Pawlak. Although not my favorite, the most memorable poem for me is "Towards some bright moment" by Stephen Dobyns. The poet describes a scene he witnessed in New York City where a blind woman is kicking and cursing her dog. I believe I witnessed the same scene. At the time and location that he describes in the poem, I also witnessed a blind woman hitting and cursing her dog. And like the poet, I have also thought about that event a lot since then. My conclusions were a little more trivial than his - "Only in New York," I thought. "Why didn't I call PETA," says he, to put both reactions in a very small nutshell. This scene seems like something out an R. Crumb comic, where one person's shock is another person's poem - and then that person's poem can inspire the first person. To activate this scenario, I join the club and write this almost-haiku: blind woman kicking her dog Yeow! a poem's birth hurts. A little bit of compulsive sociology: as noted above, most of the poets in this collection are relatively old. I made of

If you don't like poetry . . .

You should read this book! Right in the introduction Billy Collins explains that most poetry is terrible (83%!). He explains that he likes poems that are easy to understand. I know . . . I know . . . is there really such a thing as a poem that's easy to understand?! I remember discussing poems in English class and it was like a whole bunch of confusing symbolic metaphors and similes and I was all like "this stuff SUCKS"! But this book has poems that are the best and easy to understand. They're mostly like little stories with short lines. My favorite one is a story about an old dog who finds a shoe out in the woods . . . pretty easy, right? It's called RELIGION which I don't really get (maybe that's what makes it a poem ;)) but it is a nice little story that makes you go hmmm? I haven't read any poetry in a long time because I didn't think there were easy poems like this out there but now maybe I'll try again thanks to Billy Collins. Thank you Mr. Collins! Maybe I'll become a POETRY LOVER and one day even write my own poems!