The Best American Essays

Bys: Atwan, Robert and Atwan, Robert

Book Overview

This year's Best American Essays is edited by the best-selling, award-winning writer Kathleen Norris, whose books include Dakota andThe Virgin of Bennington. "The writers in this volume invite us into hidden places: a surgical pathologist's laboratory, the boxing gym where a college professor and his student learn unexpected lessons about discipline, pain, and growing to adulthood. There are many discoveries to be made here, and I gladly invite...

• Format: Paperback
• Language: English
• ISBN: 0618049312
• ISBN13: 9780618049318
• Release Date: October 2001
• Publisher: Houghton Mifflin
• Length: 336 Pages
• Weight: 0.85 lbs.
• Dimensions: 1.0" x 5.5" x 8.4"

Customer Reviews

doesn't disappoint

This is my first time to pick up the best american essays series, and i wasn't disapointed. there were a few essays that i struggled to finish (i remember skipping them when they were first published in their respective magazines), but there are many strong essays in the collection: Anne Fadiman's essay "Mail", which warns of the dangers of email; Heiman's touching "Vin Laforge"; Stephen King's essay "On Impact" is not surprisingly the best of the bunch; Yusef Komnkyaka has a very interesting piece in here; Marcus Laffey, the anonymous new york policeman's insightful piece, "The Midnight Tour" is included; rebecca mcclanah's essay closely follows king's as the best included; Reynolds Price's "Dear Harper" is one of the finest spiritual pieces i've seen in a long time; and Carlo Rotella has a great essay on boxing. there are a few that shouldn't have been included and a few that are iffy, but that is more personal opinion than the quality of the essay. it's a good sampling of the year.

Another valuable collection of essays

I have been reading the Best American Essays from 1997 to this present collection. Although I found the 1999 and 2000 to be more valuable to me and have used them in the college classroom, I find this volume to be quite good. I particularly liked "Brain Cell Memories" which gives a poignant account of a patholigist who studies brain tumors that have life and death consequences for people unknown to him directly. As he describes the samples he is examining, Spencer Nadler reminds the reader that he is detached from the lives of those from whom they were taken. (Or is he?) As many of us, he wonders what his own future will be based on his family medical history. Then there is Stephen King's descriptive account of his accident near his summer home in Maine, "On Impact" is worth reading. I find King's essays more to my particular liking than his fiction, but only because that genre is not my "cup of tea." Ashraf Rushdy's "Exquisit Corpse" is necessarily disturbing. His accounts of lynchings in the mid-twentieth century sets the macabre but unfortunately real stage for a detailed description of the murder of James Byrd in Jasper. Texas in 1998. Unpleasant indeed, but truly what is needed to tear us away from complacency. These essays are not escapist reading. There are those too, but I find these types of essays, which are plentiful in this series to be valuable in opening the mind to a more balanced view of reality and making the reader face the issues that unfortunately continue to plague us today. An educator can do so much with them.

Writing that resonates.

Moving contributions from Diane Ackerman, Charles Bowden, Stephen King, Rebecca McClanahan, and Mary Oliver distinguish this year's "best of" compilation of essays for me. Editor Kathleen Norris links the twenty-six essays collected here with the theme of "inner resources" and its variations (p. xii). "In the essays in this book," she writes in her Introduction, "we are invited to take time to notice how the world goes on, and how often it is the simple things--a student's letter, the memory of a first job, the markings left in a library book, an old friend's recipe for yellow pepper soup, or a glimpse of night sky--that allow us to dwell on the issues of life and death that concern us all" (p. xvi).In the opening essay, "In the Memory Mines," Diane Ackerman wanders through the "knotted jungles" of her memory to "the lost kingdoms" of her childhood (p. 1). "The world seemed without boundary," she remembers, "unimaginable and infinite" (p. 11). She recalls following her distant father "like a tropic flower the sun, needy, riveted, always open for warmth" (p. 12). In my favorite essay of the bunch, "The Bone Garden of Desire," Tucson writer Charles Bowden describes cooking machaca for a friend dying of cancer: "The beef was tender, the chiles hot, but not too hot, just enough to excite the tongue, and the seasonings bite, the garlic licks the taste buds, and I began to float on the sensations as Art drank his beer and the plants grew and stirred, the hummingbirds whizzed overhead and then hovered before my face, my tongue rubbed against the roof of my mouth, and it is all a swirl of sensation as I remember that day cooking" (p. 31). "I don't trust the answers or the people who give me the answers," Bowden writes. "I believe in dirt and bone and flowers and fresh pasta and salsa cruda and red wine. I do not believe in white wine; I insist on color. I think death is a word and life is a fact, just as food is a fact and cactus is a fact" (p. 44). Bestseller writer, Stephen King shines in his vivid account, "On Impact," in which he recalls nearly being killed in June, 1999 "by a character out of one my own novels. It's almost funny" (p. 122). Avid readers will relate to Rebecca McClanahan's fascinating essay about marginalia, "Book Marks." "Life is a river," she observes, "and you can't step into the same book twice" (p. 172). In her short but profound contribution, "Dust," poet Mary Oliver writes: "The silky brant, the scarf of chiffon, the letter, the empty envelope, the black ducks, the old shoes, the little white dog fall away, and all the music of our lives is in them. The gods act as they act for what purpose we do not know, but this we do understand: the world could not be made without the swirl and whirlwind of our deepest attention and our cherishing. And if I mean the god of the sky, I mean also the god of the river--not only the god of the gold-speckled cathedral but the lord of the green field, where people pause casuall