In Frederic Raphael's essays we meet familiar faces, known names, but the way he reintroduces them to us, with a ruthless clarity which seeks to conceal nothing, make us revalue them. Doubt is what keeps us from the tyranny of bien pensant sentimentalism, from accepting the nostrums of a journalised and televisualised culture.
The first man we meet in The Benefit of Doubt is a tutelary spirit of Raphael's world, Primo Levi, a champion in the unequal...