In The Battle of the Sexes in French Cinema, 1930-1956, No l Burch and Genevi ve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956-when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"-are important, both as historical...