The Austrian Mind: An Intellectual and Social History, 1848-1938

by William M. Johnston

Book Overview

Part One of this book shows how bureaucracy sustained the Habsburg Empire while inciting economists, legal theorists, and socialists to urge reform. Part Two examines how Vienna's coffeehouses, theaters, and concert halls stimulated creativity together with complacency. Part Three explores the fin-de-siecle world view known as Viennese Impressionism. Interacting with positivistic science, this reverence for the ephemeral inspired such pioneers ad...

• Format: Paperback
• Language: English
• ISBN: 0520049551
• ISBN13: 9780520049550
• Release Date: March 1983
• Publisher: University of California Press
• Length: 540 Pages
• Weight: 1.40 lbs.
• Dimensions: 1.4" x 5.5" x 8.2"

Customer Reviews

Impressive research, but uneven discussion

Anyone with a serious interest in the late Habsburg Empire, Austria-Hungary, or Viennese culture should probably read this erudite, encyclopedic study. Johnston deserves praise for taking on a challenging subject. His extensive research and learning are obvious in the bibliography, notes, and the many names rescued from oblivion (many probably discussed here in English for the first time). Parts of this book are outstanding. That being said, I do not share the enthusiasm of other reviewers. In his search for overarching cultural forms or attitudes (such as "therapeutic nihilism"), Johnston makes too many sweeping generalizations, reducing individuals and their actions to sociological categories or cultural stereotypes. The people he describes often seem like caricatures. Not everyone in Vienna was neurotic, death-obsessed, or a dandy on the Ringstrasse. At one point he makes the far-fetched claim that the Hungarian language, by its very structure, causes Hungarians to become dreamers, disinclined to scrutinize reality. Johnston pigeonholes individuals by their ethnicity, religion, or nationality. He emphasizes conflicts among the different peoples and groups in the empire, but says little about the cultural cross-fertilization that also took place. He does recognize that the multilingual environment inspired reflection on the problems of language. This is essentially a history of intellectual movements (who taught or influenced whom), not a social or cultural history, as the title might suggest. It does not say much about the politics of the era or the broader society (the section about Hungary is an exception). Johnston is at his best and most informative in discussing economists, legal theorists, and philosophers. The sections about philosophy and social theories are perhaps the most interesting, showing a range of thinkers, some of whom were very prescient concerning the future of Austria and Europe, and whose theories ranged from the utopian to the pessimistic to the sinister. Johnston falters with literature and the arts. He treats Johann Strauss Jr. and his music in a rather dismissive way, seeming to overlook the fact that Strauss was a very good composer whose works quickly became popular all over the Western world and are still enjoyed more than a hundred years later. (For a better discussion of operetta as a cultural form, see Peter Hanak's book on Budapest and Vienna, "The Garden and the Workshop"). An artist as important as Oskar Kokoschka is quickly passed over in a few short paragraphs, conveying no sense at all of how Kokoschka's work developed and changed during his long productive lifetime. Other artists and works (Kolo Moser and the Wiener Werkstatte design studio, the operatic collaborations of Hofmannsthal and Richard Strauss, Ernst Krenek) are not mentioned at all. This is too bad, because the art and music of this period are perhaps its most lasting legacy. By contrast, the stature of psychoanalysis has declined since the

Encyclopedic in scope

Johnston's book may not have everything that you ever wanted to know about the intellectual and cultural life of Austria-Hungary under the Hapsburgs, but if ever a single volume came close to having everything, then this is it. It has discussions of not only the "usual suspects" like Mach, Freud, Wittgenstein, but it also provides coverage of important figures in economics (i.e. Carl Menger, Schumpeter, Hayek), jurisprudence (i.e. Hans Kelsen, Karl Renner, Anton Menger), men of letters (i.e. Musil), philosophers (i.e. Schlick, Neurath, Lukacs, Buber, Ebner), music (i.e. Mahler, Schonberg), and many, many other important people. Johnston's book also covers other less well known but important figures too. For example, he covers Hans Gross, a pioneer in the development of scientific police detection. Anyone who has already read such books as Allan Janik and Stephen Toulmins' *Wittgenstein's Vienna*, Malachi Hacohen's *Karl Popper: The Formative Years 1902-1945* or even, Edmonds & Eidinows'*Wittgenstein's Poker*, will appreciate this fascinating and well written book.

tour de force !!

This is a wonderful book for all intellectual historians, and cultural historians interested in fin-de-siecle Austro-Hungary. It's a tour de force if ever there were one! But it manages to remain accecible at the same time.Also, while many have written about Freud, Wittgenstein, Schiele etc., Johnston talkes about the lesser known figures of the era. That is this book's niche.

MAGIC !!

This book is worth every cent, an amazingly well written and concise history of the culture, from all angles. I can't recommend it highly enough.

Wonderfully readable, enclyclopedic resource

For anyone interested in the artistic, philosophical and psychological impact of Viennese culture, this is a must. Freud, Wittgenstein, Schiele, etc. Prof. of History at U. Mass., Amherst, Johnston writes clearly and with enthusiasm. See also his illustrated _Vienna, Vienna_.