With Rubinstein considered Liszt's only possible rival on the concert stage, and Carre o as the foremost woman pianist of the late nineteenth century, it is an unexpected gift that both have left behind insights into that supremely important -- but grossly neglected -- aspect of performance called "the soul of the piano" the art of piano pedaling. Their treatment of pedaling is of the utmost importance, not only from a historical standpoint, but for...