THE ART OF CREATIVE LIVING is written for anyone who would like to break out of the rut they are living in and who wants to explore some neglected dream. Mr. Kinkade addresses the issue of how to go about reaching their desires. Mr. Kinkade tells us in seven simple steps how to go about reaching your goals and he shares helpful examples and some true life stories to help make his point. The seven steps are: . Solitude - learning to listen to your inner sensitivities . Passion - exploring the inner fire that nurtures you . Love - the single most essential ingredient . Community - how will your ideas impact the world . Work - discovering how it can be a pleasure . Conflict - the opportunity to expand your personal possibilities . Worship - why diverting your eyes from your goals helps you reach your goals THE ART OF CREATIVE LIVING is an interesting book to read, and every chapter is graced by one of Mr. Kinkade's beautiful paintings. My son, Michael, read this book, hoping that some of Mr. Kinkade's painting techniques would be revealed. This is not the case. However, this book does teach you the necessary steps to drawing into yourself and developing your creative touch, whether you are an artist, a musician, a writer, or anyone else who relies on their imagination--or just wants to develop one. $19.99 hard cover. 249 pages. Publisher: Warner Faith April 2005 ISBN: 0-446-53234-7 Genre: Inspirational/nonfiction
Illuminating
Published by Thriftbooks.com User , 19 years ago
I was astonished to find that there weren't dozens of reviews up for this book by Thomas Kincaid. This is a very creative book, discussing the kind of creativity and artistry that can be found in each of us. Kincaid, a painter by profession and vocation, starts with the basic question - how does an artist do what she or he does? How does one turn a blank canvas or a block of stone (or materials even less 'naturally' artistic in mode) into something that is a work or art, a creative work? Kincaid says that the mechanics of the process are necessary, but far from being the whole story. Kincaid states that the artist needs to believe that she or he can create, that there is inside something that has the power to produce something wonderful. Creativity is not something confined to the visual or aesthetic arts. Creativity is something that belongs to all things in life - from things as basic as everyday cooking to relationships and spirituality, from business to hobbies to art in its more pure forms, these things all afford opportunities for creative living and creative expression. Kincaid touches on spiritual and religious ideas and images throughout this text, but it is not a philosophical/theological text by any means. This is much more practical guide of thinking about and incorporating a sense of the creative and the creator in all that we do. Kincaid writes in a broadly ecumenical way, not being tied to the dogma or doctrine of any particular faith, but rather providing insights that can prove valuable to those of many different kinds of faith and religious practice. Some of Kincaid's suggestions are very practical - finding space for oneself, both inner and outer, physical space; minimising distractions, etc. He incorporates elements of spiritual practice into these - for example, once one has found the inner and outer space in which to explore one's creative side, has gratitude been expressed. 'Your special place of solitude - defined by both your inward values and your chosen work area - is an essential "brushstroke" in your life if you hope to become truly adept at the art of creation. So accept this current place of yours with thanksgiving.' Kincaid draws on the arts and artists from throughout the ages, but also draws from popular and familiar culture as well. For example, he uses the character of Rob Petrie from the television series 'The Dick Van Dyke Show' as an example of a creative soul, highlighting in this particular example the aspect of creativity that is hopeful and optimistic - 'chronically optimistic' in Kincaid's words. One of the very nice aspects of the organisation of this book is that the chapter subdivisions are set at a length so that they can be easily read even by the slowest of readers in one sitting. This is not heavy reading by any means, but those who read over it too quickly will be bound to miss something - the creative process, like the reading of this book, should be a deliberate tas
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