The Alchemist and Other Plays: Volpone, or the Fox; Epicene, or the Silent Woman; The Alchemist; Bartholomew Fair

by Ben Jonson

Book Overview

This edition brings together Jonson's four great comedies Volpone, Epicene, The Alchemist, and Bartholomew Fair. The texts of these plays have all been newly edited for this volume, and are presented with modernized spelling. Stage directions have been added to help actors and directors reconstruct the play the way it would have been performed in the seventeenth century, and the introduction, notes, and glossary further bring to life these timeless...

• Format: Paperback
• Language: English
• ISBN: 0192834460
• ISBN13: 9780192834461
• Release Date: November 1998
• Publisher: Oxford University Press, USA
• Length: 560 Pages
• Weight: 1.00 lbs.
• Dimensions: 1.4" x 7.5" x 5.0"

Customer Reviews

The apprentice always gets the treasure chest

A comedy that reveals some common traits in Ben Jonson plays. The Alchemist is a crook who, with the help of a woman and a servant, tries to get as much money as possible from anyone who is ready to believe brilliant promises founded on myths like turning lead into gold, or ready palms, or ready the stars and predicting the future, or getting married to some nobleman. It is all a bunch of lies wrapped up in beautiful language that uses a lot of Latin and Greek to make the promises both dim and brilliant, dim in meaning and brilliant in sound. It works very well till the neighbours start complaining about the agitation in the street and in the house, and till the owner of the house comes back and finds out what is going on. But the servant, aptly named Face, manages to get out of the trap by providing the owner of the house with a wife in the shape of a widow that had been brought in to marry a hypothetical Spanish count. She takes the first one that is ready to go through the procedure and it is the landlord. Since she brings a good dowry, this landlord keeps the servant Face in his service. On the other side the two other crooks, Subtle, the Alchemist, and Doll, his woman, have escaped through the backyard leaving everything behind, particularly everything they had been able to get from their gullible clients. Face gets the profit and is purified by his new master. The master of the house easily gets everyone out, all the complainers who do not dare go to a court, especially since they have no written evidence of the tricks they have been the victims of, which would mean they would look like fools. They just drop the matter and go away. Crooks once again work in groups and it is the lowest servant of the band that reveals himself to be more intelligent and swift than his own master, so that he cheats him out of the profit, he manages to get clean out of the business, and he even gets a better position than before. All along Ben Jonson ridicules doctors, puritans, rich people who want to satisfy their ambition for power with quick easy and somewhat magical means. Hence the gullible victims of such crooks are definitely made fun of, though Ben Jonson saves morality in a way by punishing the master crook who loses everything, and yet is immoral because the crook apprentice or helper gets all the profit, hence stealing all the victims of what they had paid or given. Rather brilliant though slightly verbose. Dr Jacques COULARDEAU

Great Introduction to Ben Jonson's Comedies

I recently read the early 17th century comedy "Volpone", my first introduction to Ben Jonson. I was surprised by how well Jonson's humor had traveled through 400 years of cultural change. I did have difficulty with Jonson's dedication (several pages), the introductory argument, and the prologue as well as a "Pythagorean literary satire" in Act One, Scene One. But thereafter I found the humor to be natural and enjoyable. I even found myself somewhat sympathetic for the unscrupulous Volpone, Mosca, Voltore, Corbaccio, and Corvino. I immediately hunted around on my dustier bookshelves for other works of Ben Jonson."Epicene" was less easy to digest, but was worth the effort. There is a surprising twist in the final scene and I suggest that the reader avoid any literary criticism or introductions to "Epicene" until after your first reading. I had less empathy for the characters in "Epicene" and it was difficult to identify any "good guys". The characters were not terribly disagreeable, but simply dilettantes that had little concern for morality or ethics. The dialogue is more obscure (and more bawdy) than in "Volpone". I found it helpful to first read the footnotes for a scene before actually reading the scene itself."The Alchemist" is more like "Volpone". The main characters are unscrupulous con-men; their targets are gullible, greedy individuals. I learned quite a bit about alchemy, at least alchemy as practiced by 17th century con-men. As with "Volpone" and "Epicene", I was unable to predict how Ben Jonson would bring the play to a satisfactory conclusion. I enjoyed "The Alchemist" and I expect that I will read it again. I don't know if it is performed very often, but it would probably be quite entertaining."Bartholomew Fair" introduces a large, motley collection of characters that largely converse in lower class colloquialisms that require some effort to master. The comedy was intended in part to be a satire on Puritans and thereby please King James, but it was equally an introduction to the varied individuals that might be encountered at an annual fair. It was not easy to keep track of the many characters and I continually referred to the cast listing to reorient myself. There are a number of collections of Ben Jonson's plays. I recommend an inexpensive collection, "The Alchemist and Other Plays", publish by Oxford University Press as a World's Classic. The introduction, glossary, and explanatory footnotes by Gordon Campbell are quite good. Begin with either "Volpone" or "The Alchemist" if you are new to Jonson. I hope you are as surprised and pleased as I was.

Worth the effort

Ben Jonson, although modern audiences find him difficult to read, played an important role in the development of the English comedic play. Volpone is a dark comedy that explores the twisted world of a con artist and his toady. The play demonstrates Jonson's awareness of the hypocrisy of social situations. Similarly, Bartholomew Fair takes the reader on a tour of the seamier side of seventeenth century London life. Zeal of the Land Busy, a religious hypocrite, still speaks to our generation when questions of religious expression still plague us. Epicene is a gender-bender in which the ideal silent woman turns out to be a man. The Alchemist, although the most difficult of the plays to read, is worth the effort, as it explores the questions of knowledge, ownership of knowledge, and abuse common in today's world.

aaagghhhh

What's going on? You are all referring to the WRONG BOOK

Jonson's The Alchemist - hilarious Renaissance drama!

This is a very very funny play. I highly recommend it. If you think Renaissance drama means "only Shakespeare", you need to try some of his contemporaries, like the Poet Laureate Ben Jonson. =smile= Of the three Jonson comedies I've yet read, this one is great fun! Be warned that some of the "alchemical" language may be seem too specialized, unless you know this time period; since it's supposed to be patter to trick the marks, that's not the detraction it seems to be._The_Alchemist_ has a legion of characters, most of whom are the marks. They deserve what they get--but because this is Jonson, the ones running the confidence games may not end up as you expect. His type of comedy is atypical of his period in that respect. If you aren't familiar with the Renaissance speech, then I recommend the excellent New Mermaids text. The extensive footnotes are mostly a glossary, which is extremely helpful! [Yes, it makes some of the period jokes make sense then.] Since the characters are drawn broadly, you will be surprised at how easily you will understand them, whether they are greedy or lusty or foolish. The smooth way one con fits into working the next ongoing one is priceless! Much like _Volpone_ [also by Jonson], this is a play about greed, about con games, and about how people can allow avarice, lust and money to corrupt them. Call this satire, parody or farce--no matter, the humor is biting and witty and wild. For comparative humor in the same period, this is somewhat comparable to Marlowe's _The Jew of Malta_.I love the way the characters work with and against each other. Subtle may dazzle or mystify with his language, and Dol Common may keep them from destroying their three-way partnership, but Face is my favorite of the trio. He is the trickiest of them all. I like how he fares in the ending too, which leads me to believe Face is like a cat. =grin= To me he's likable in the same outrageous way!