He is called the Scottish Celine of the 1990s (Guardian) and a mad, postmodern Roald Dahl (Weekend Scotsman). Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals--God turn a hapless footballer into a fly; an acid head and a newborn infant...
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