How might it be that works of art and literature are not just made, but unmade, remade, and made over? Joseph Grigely argues that it is the very nature of art to incorporate change by editors and conservators, and as it is resituated in different publications and exhibition sites. Asserting that the common editorial practice of creating eclectic texts is essentially a eugenic practice based on Romanticism's desire for racial and textual purity, Grigely...