Teach Yourself Postmodernism

by Glenn Ward

Book Overview

Postmodernism embodies the idea that there are no new ideas to be invented - everything is borrowed from previous times and we live in a post-modern age. Aimed at those encountering theories of... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0071419659
• ISBN13: 9780071419659
• Release Date: April 2003
• Publisher: McGraw-Hill Companies
• Length: 232 Pages
• Weight: 0.50 lbs.
• Dimensions: 0.7" x 4.8" x 8.1"

Customer Reviews

A simple book on a complex subject

I had always heard the term "postmodernism" and never really put much thought into it. However about four years ago, while I was working on my masters in social sciences the term was brought up again and again. After reading many philosophy type books, I thought the concept was grasped. Consequently, the notion of postmodernism was still nebulous, evasive and elusive. I can recall asking my advisor in my graduate program what defines a postmodern theorist. He simplistically stated that a postmodern theorist will claim he/she isn't a postmodern theorist. Also postmodern theorists tend to not agree with one and other. Ultimately I felt quasi-comfortable about my knowledge in postmodernism, yet I had a thirst for more. This led me to look for a book on the topic and to "Teach Yourself Postmodernism". I have to say that I am very pleased with the content within the pages of this paperback by Glenn Ward. This book spoke of postmodernism in terms of architecture, art, music, film, history, politics, fashion, languages/words/text and psychology (to list a few). Another thing that I liked about this book is it provided many lucid and tangible examples when discussing concepts. For instance, the movie Blade Runner was used as paradigm of postmodernism. Modernism was also tackled in this book, mainly because there can't be postmodern without modern. The book also is reader friendly. However, there were some aspects/points that were totally over my head. I reread many components several times and grasped it and other things were just way too abstract for me to clench. Other cool parts of this book: * Ideas are broken down by chapters * Theorists from both modern & postmodern are reviewed * Books on similar subject matter within a chapter are provided * There is a chronological list dates of postmodern history * A glossary of key terms used throughout the book * As noted prior, many lucid examples of postmodernism Overall, I felt like this was a great book to learn about not only postmodernism, but society and really the world people live in. The book is only about 232 pages, but Glenn Ward packed a great deal of information in this book. I would be really interested in reading another book by him, just based off this one. After finishing this book, I feel like I have a more solid understanding of the complex perception that is postmodernism.

Wonderful Primer for Pomo

I have been looking for a text to introduce students who likely have had no advanced critical theory to the gnarly world of postmodernism. This is the one.It is clear and concise. It is very well organized. And nothing about it cheats the subject by skimming over difficult concepts.

Postmodernism made clear - at last!

Whipping-boy of preachers, or the coolest of cool labels, "postmodern" keeps popping into my life unbidden. Frustrated over my own ignorance of the term, and unable to pin down a common definition, this book was a simple solution. Understanding modernism as the Enlightenment ideals of progress, optimism, rationality and the search for absolute truth and the true self, Ward sees postmodernism as the contemporary antithesis embracing exhaustion, pessimism, irrationality and disillusionment with absolutes. On the surface this comparison may appear to put postmodernism in a negative light, when it has much to commend it. For example, in architecture (chapter two) the modern perspective was utilitarian. Form had to be functional. The result was inhuman sameness. Postmodern architecture emphasizes form, not function, and borrows/blends architectural themes from various places and times to create an eclectic hodgepodge more representative of human diversity and experience. This democratization of architecture is mimicked in literature and the arts (chapter three) where critics are dethroned as arbiters of taste and culture in favor of mass appeal and acceptance.Chapter four titled "The Trouble With Reality" is simply marvelous, and sets the tone for the remainder of the book. Postmodernism changes the very essence of reality. Just as quantum physics explains that my desk if more "space" than matter, postmodern thought sees reality in form, not substance. The conviction that "image" must rest upon something "real" is contrary to postmodernism, since image is reality. Television is the primary medium; Jean Baudrillard a primary figure. Chapter five builds on four with poststructural conceptions of language and meanings. Positing that language is self-referential and, accordingly, never reflective of essential reality, postmodernism replaces the author's intent with the readers' insight; meaning with interpretation; facts with relationships. In chapters six and seven Ward explains the postmodern reworking of personal identity. Rather than the unveiling of innate essence, the postmodern self is fundamentally social. Constructed, not created, the postmodern self "becomes" through social interactivity. Postmodernism rejects a whole, unified or coherent psyche in preference for a "fleeting, unstable, incomplete and open-ended mess of desires which cannot be fulfilled." In chapter eight Ward summarizes postmodernism as against depth and essence, totality and universality; but for the superficial and provisional, fragmentation and difference. He concludes with applications of postmodern thought in both science and politics.Ward does an exceptional job of selecting representative postmodern voices, letting them speak for themselves, and then also giving voice to their critics. This style of writing is a little choppy, but is well worth the added insight it provides. Now if I can just find a similar book on

Great for starters

This book is great as an introduction to such a complex subject as postmodernism. Its focus is really on the ideas behind postmodernism as they appear in different areas such as architecture, visual arts, film, and literature. By doing so, one is able to see the threads common to all of these disciplines , allowing a grasp on what postmodernism is all about. The (often obscure) work of the major thinkers is summarized in a way that can be more easily understood. A critique of these thinkers usually follows these summaries, which gives the reader a better perspective and balance. I highly recommend it.

This text's very existence is postmodern itself

If your reaction to a _Teach Yourself_ series book on critical theory is negative...then you are exactly the person who most needs to read this text. A theory of pop culture, mass culture, and the (non-existant) distinction between "high" (read: élitist) and "low" culture, postmodernism more than any other ism begs a volume of this sort. All the same, Ward's text is a not-so-superficial introduction to the philosophers whose ideas have lead to postmodern critical theory: starting with the structuralists (Saussure, Lévi-Strauss), pass through deconstructionists to poststructuralists...Ward treats Delleuze, Derrida, the Frankfurt School, Jencks, Foucault--and of course Madonna. This text is above no one, and don't resist buying just because it doesn't come in a thick hardcover tome with more italicized philosobabble. If you're interested in postmodernism, this is the place to start. Also suitable as an introductory undergraduate text. Terrific for party tricks as well.