Sudden Fiction Latino: Short-Short Stories from the United States and Latin America

by Robert Shapard and Luisa Valenzuela

Book Overview

Following on the success of the Flash Fiction and Sudden Fiction series, Robert Shapard and James Thomas join with Ray Gonzalez in selecting works that each present a complete story in less than 1,500 words. Luisa Valenzuela, one of Latin America's most lauded writers, provides the introduction. Readers will delight in finding stars such as Junot D?az, Sandra Cisneros, and Roberto Bolano alongside recognized masters like Gabriel Garc?a M?rquez, Isabel...

• Format: Paperback
• Language: English
• ISBN: 039333645X
• ISBN13: 9780393336450
• Release Date: March 2010
• Publisher: W. W. Norton & Company
• Length: 336 Pages
• Weight: 0.64 lbs.
• Dimensions: 0.8" x 5.6" x 8.2"

Customer Reviews

Multipurpose Anthology

I received this book through the LibraryThing Early Reviewers group and was impressed by the interesting form and the variety of authors. It's a collection of 'sudden' or short-short fiction (with pieces ranging from a couple of hundred words to a few pages; this is a subgenre the editors refer to as 'flash' fiction in their similarly brief introduction) and I can imagine the book lending itself to various uses... 1) It could be a fun addition to a college literature course, as it offers brief morsels by well-known and also newer writers. It might also be useful to teachers since each selection is short enough to be read, silently or aloud, during even the shortest class session, still leaving ample time for lecture, discussion, or other activities. 2) The book might also work nicely (as another LibraryThing reviewer noted) for commuters. A person might as well enjoy a quick bit of brain candy while sitting on or waiting for that subway car, bus or train. To make work readable in such a setting, and given that this is already such a short form to boot, the authors need to create a rich and intriguing microcosm by a very careful use of words, and many of these do. Finally, 3) if one is a fan of certain contributors and their longer writing, this collection might make a good gift for friend who hasn't yet had an introduction to those authors or their longer works. The super-short form works well for little glimpses of anything from 'magical realism' to postmodernism, and a collection like this one might hook a reader's imagination enough to make them hungry for a full-sized meal. Borges' "The Book of Sand," Rudolfo Anaya's "The Native Lawyer," Roberto Bolano's "The Phone Call" and Ana Castillo's "The Foreign Market" were memorable for me; Antonio Farias' " Red Serpent Ceviche" made me excited to pick up his first novel, and Ana Maria Shua's "3 Microstories" made me want to track down the rest of her work, including a film adaptation. In short, this seems a satisfying collection overall, and particularly well-suited for students, commuters, and the curious.