String Quartets, Opp. 20 and 33, Complete

by Joseph Haydn

Book Overview

"Of the symphony he may be said with truth to have enlarged the sphere . . . enriched and developed the capacities with the versatility of true genius . . . the quartet he also brought to perfection." -- Grove's Dictionary of Music and Musicians
Mozart's best friend and Beethoven's teacher, Joseph Haydn (1732-1809) was not only the first of the three great masters of the Viennese classical school -- but its principal founder. From the...

• Format: Paperback
• Language: English
• ISBN: 0486248526
• ISBN13: 9780486248523
• Release Date: April 1985
• Publisher: Dover Publications
• Length: 272 Pages
• Weight: 1.44 lbs.
• Dimensions: 0.6" x 8.4" x 11.2"

Customer Reviews

Very good, but not perfect

As a musicology student on a budget, I've acquired quite a few Dover scores over the last years. They may be old, but there's simply no one who can match their prices. Dover's concept seems especially suited to string quartets (and other chamber music). While the standardized set up for orchestral scores have changed vastly over the years, string quartets have basically remained unchanged since the conception of the form. The only "challenge", from a modern point of view, is reading the violas alto clef, which anyone interested in string quartets should be acquainted with in any case. The edition appears to be an enlarged miniature score, making it very comfortable to follow, and leaves plenty of space for writing notes/analyzes etc. It was originally made by Eulenburg, a company known for quality. The print leaves a bit to be desired, however. Some spots on every dozen or so page, the print is light to non-existing. This isn't REALLY that much of a problem, you can still see what is going in all cases, but I think it's fair to reduce a star for this. I've used this book in a class, and it appears that while such flaws were present in every students edition, they seem to appear at random places. Also, being heavy-handed with a rubber can rub off the print, which obviously is a disadvantage if you are planning to use the scores for analytical purposes. These aren't huge deals, but I think it's fair that they subtract one star, especially since these problems were not present in my version of op. 74, 76 and 77. I would recommend this edition to the people who would want this book are people interested in following along with recording or performances, or people who intend to use it for analytical purposes. Naturally, I wouldn't recommend it for performance. The notes are large enough to be viewed at a distance, but it would require way more page turns than required, and the somewhat haphazard print quality is naturally a much larger problem for a performer than a spectator. I imagine that, apart from previously mentioned trouble spots, it would work well with PhotoScore or similar software, so you could probably make single-instrument scores out of it with relative ease. Everything taken into consideration it is a great product well worth the money, but I can't give a full score on this one; unfortunately this is for reasons that Dover could correct with ease. You did it right with the Op. 74/76/77 score!