Tracing the complex history of tempo rubato, this book identifies and traces the development of two main types of rubato: an earlier one in which note values in a melody are altered while the accompaniment keeps strict time, and a later, more familiar one in which the tempo of the entire
musical substance fluctuates. In the course of his narrative, Hudson ranges widely over western music, from Gregorian Chant to Chopin, from C.P.E. Bach to jazz,...