Stephen King: The Art of Darkness: The Life and Fiction of the Master of Macabre

by Douglas E. Winter and Stephen King

Book Overview

The 2013 Stephen King Library Desk Calendar is coming. With The Wind Through the Keyhole: A Dark Tower Novel published in April 2012, the publisher is carrying on the tradition of the ka-tet into this... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: 0451167740
• ISBN13: 9780451167743
• Release Date: December 1986
• Publisher: Signet Book
• Length: 352 Pages
• Weight: 0.48 lbs.
• Dimensions: 1.0" x 4.2" x 6.9"

Customer Reviews

Scam!!!

Showed it came with a dust jacket but didn’t!!! Waste of money would not recommend this scammer

A snapshot of a moment in time

Nearly four decades into Stephen King's professional writing career, the critical debate continues as to where his work falls on a spectrum ranging from disposable trash to genuine literature. I have my own opinion, of course; but I will say this: even King's prolific schedule (four novels published inside a year and a half, at its peak) can't compare to the number of books written about him. And that, I suspect, is something that can't be said of Danielle Steel. King the man (apart from King the writer) is a fascinating person, both in terms of his own biography and experiences and in the erudite way he can hold forth on seemingly any topic (not just his encyclopedic knowledge of the horror genre). I would point the interested fan to Tim Underwood and Chuck Miller's collections of Stephen King's interviews for a revealing look at King's thoughts and they way they've evolved over the years. Douglas E. Winter's study of King's work from Carrie through The Talisman provides yet another perspective, focusing on the origins and influences of his output during that period. Winter terms his work a "critical appreciation," which I find to be a fair designation. There is no pretense of impartiality here (though no literary critic is impartial, and Winter sets himself apart with his honesty), and indeed Winter has based his work in large part on an extended interview with King himself. Winter, uniquely, accepts the author as the final authority on his own writing and limits most of his comments to harmless observations on recurring themes anf motifs in the stories and novels and so forth. The book is, however, meticulously footnoted, with indices and primary and secondary bibliographies, and so it cannot be said that Winter hasn't done his homework. To complain that Winter hasn't taken a deconstructionist or postmodernist axe to King's work like some ham-handed graduate student is to criticize The Art of Darkness for failing to be something it was never intended to be. If there is a caveat for the reader, it is that this book is, of course significantly out of date. This is a critical snapshot of a moment in time; be warned, the Stephen King depicted here is no more. Too much has happened since then; personal issues, external events, landmark happenings such as the completion of the Dark Tower series (the first volume of which was only available in a limited edition when Winter published his book). Nevertheless, I believe that even a Stephen King completist will find some tidbit of King's or observation of Winter's that he or she hasn't run across before; if you are such a person, you might want to give this a glance--assuming you haven't already