The title of the catalog of works by the artist duo Stefan Panhans (Germany) and Andrea Winkler (Switzerland) is a nod to the rhetoric used by evangelical megachurches in the United States that preach a market-oriented, neoliberal ideology of individual self-optimization under the guise of Christian pastoral care. The artists' works touch on electric SUVs, communication with forms of artificial intelligence, racism in everyday life, celebrity cults,...