Spin

by Robert Charles Wilson

Book Overview

Spin is Robert Charles Wilson's Hugo Award-winning masterpiece--a stunning combination of a galactic "what if" and a small-scale, very human story.

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known...

• Format: Mass Market Paperback
• Language: English
• ISBN: 076534825X
• ISBN13: 9780765348258
• Release Date: February 2006
• Publisher: Tor Books
• Length: 464 Pages
• Weight: 0.52 lbs.
• Dimensions: 1.3" x 4.3" x 6.8"

Customer Reviews

Wilson's best

Robert Charles Wilson seems to me to be the only living science-fiction writer to have produced one excellent novel after another for almost twenty years. "Spin" is his best yet. The title, which strikes me as being a very minor but strange shortcoming of the book, refers to the apparently accelerated spin of the galaxies after an alien force encloses the earth in a bubble that drastically slows time on our planet. The sheer scope of the story is very impressive, and the character development is beautifully handled. The plot unfolds in unpredictable but plausible ways, with a climax that is not likely to be expected by any reader.

A superb novel full of Big Ideas

Spin is a superb novel full of Big Ideas, but those Big Ideas don't come at the expense of rich character development as is so often the case with books of this sort. Wilson has a real knack for creating characters one can empathize with and can really grow to care about. The family relationship depicted here, between the narrator, Tyler Dupree, and his childhood friends Jason (the genius) and Diane (his first, unrequited love), is the real driving force of this novel, and is what makes it such a compelling page-turner. The prose is clean and fluid, and Wilson expertly paces the book, keeping the reader engaged and anxious to find out what comes next. This can be tricky in a novel that spans several subjective years (and billions of relativistic years), but Wilson pulls it off marvelously. Spin is exactly the sort of novel that I think we need to see more of, one that infuses the reader with that gosh-wow sense of wonder that many writers seem to have forgotten is the reason we all fell in love with the genre in the first place.

Extravagant ideas, quiet tone

The first major SF novel from a major publisher in 2005 that I have seen is Robert Charles Wilson's _Spin_. Wilson is one of my favorite current writers. His recent novels have all been quite striking, and all are based on quite extravagant SF ideas, yet are markedly quiet in tone, and markedly character-based. Beth Meacham recently complained in Locus that SF seems to consist largely of two sorts of books: very mainstream-style books with one modest SFnal idea; or very wildly SFnal books that demand from the reader an intimate knowledge of the field's tropes. Robert Sawyer vs. Charles Stross, one might suggest. _Spin_, I think, is a counter-example. It is based on a truly audacious central idea, and the idea is quite cleverly extrapolated -- its implications are nicely explored. Yet the heart of the book is an extended look at one man's lifelong friendship/love affair with his boyhood neighbors, a pair of twins, brother and sister; set in a near future not too terribly different from today. The book alternates sections set, the titles tell us, very far in the future (4 billion A. D.), with near future sections. The narrator is Tyler Dupree, who is undergoing some sort of drastic medical treatment while on the run from U. S. officials. While mentally unbalanced by the treatment he compulsively writes down his memories of his life to date, beginning with the onset of what came to be called "the Spin". One night when Tyler is 12, and his twin friends Jason and Diane are 13, the stars suddenly disappear. Earth is somehow enshrouded -- satellites crash, the Moon is invisible, the Sun still shines but oddly changed. It soon becomes clear that a barrier, eventually called "the Spin", is affecting time oddly -- time outside it passes much more rapidly than on Earth. Space vehicles can be launched and pass through the barrier -- they seem to return instantly, but they observe time passing outside it, and they observe, for instance, the Solar System continuing to evolve, such that after some decades, the Sun will have changed so as to make Earth uninhabitable. Thus, people of Tyler's generation grow up in the knowledge that likely the world will soon end. Tyler's mother works for Jason and Diane's father as a maid. E. D. Lawton is a powerful defense contractor who is smart enough to be in place to react quickly to the Spin -- for example by setting up a network of aerostats to replace the now defunct GPS satellites. His wife Carol is a former doctor, now an alcoholic. Tyler falls in love with Diane from an early age, but a combination of factors keep them apart. (Tyler's shyness, a perceived class or financial status difference, E. D.'s hostility.) The three children react differently to the Spin. Jason, to some extent following in his father's footsteps, is desperate to understand it, and perhaps to fix it. Diane is afraid of it, and drifts into a cult which treats the Spin as an harbinger of the Christian End Times. Tyler stays close to Jason, and

Your average excellent Robert Charles Wilson novel

I managed to snag an advanced copy of this novel last week, which I finished in about a day and a half reading during lunch breaks, bathroom breaks and the hours before bedtime. As per usual, Wilson does an excellent job of keeping me up at night. For those who are familiar with Robert Charles Wilson's work, "Spin" should come as no surprise. Most of his novels feature a conflicted protagonist who is caught up in storms of intrigue and extraordinary circumstances. Wilson's stories typically focus 70% on the characters and 30% on the science. His characters walk away from these experiences utterly changed, for better or for worse. Their arcs aren't always pleasant but usually realistic. You could easily put yourself into their shoes. "Spin" is no exception. As the previous reviewer pointed out, Wilson's one weakness is his endings. The endings are usually a rush to tie together loose ends, explain away anything that wasn't properly explained before. "Blind Lake" fell into this trap. "The Chronoliths" did not. Thankfully, "Spin" falls into the latter catagory.

Completely engrossing

The time is, if not right now, the reasonably near future. Tyler Dupree is the twelve-year-old son of the housekeeper for a major aerospace industrialist. His best friends are the industrialists' twin children, Diane and Jason Lawton. One evening, when the kids are illicitly outside during an adult party at the Big House, the stars and the moon disappear. All satellite communication, and everything dependent on it, is lost. The sun rises in the morning-but, as scientists subsequently learn, it's not the real sun. Earth has been encased in a membrane, and time on Earth has been dramatically slowed: a minute on Earth, inside the membrane, is a century or more outside. One of the things the membrane is doing is filtering and regulating the sunlight, so Earth continues to experience normal day and night, and seasons. This phenomenon quickly acquires the popular name "the Spin." The Lawtons' father, E.D., quickly capitalizes on one piece of the disruption caused by it by promoting aerostats as a replacement for the lost satellites. And he grooms his genius son Jason to become the world's greatest expert on the Spin. The cultural effects of the Spin are more disruptive, at least in the short term. As it becomes clear that the Spin is not any sort of natural phenomenon, there are only two ways of explaining it: either it's a technological phenomenon created by unknown alien beings (the "Hypotheticals"), or it represents the direct action of God. As it becomes clear that the slowing of time on Earth will result in Earth being out of the habitable zone of the sun in fifty or sixty years, the notion that Earth's inhabitants are now living in the End Times becomes obvious and logical. While E.D. continues to do what he has always done (wheel, deal, seize economic and political advantage, emotionally abuse his family) Jason becomes obsessed with understanding the Spin scientifically, Diane joins an ecstatic, hedonistic religious cult called the New Kingdom, and Tyler just tries to get on with his life, going to medical school and becoming a doctor. That's not so easy; Tyler has always been the emotional stabilizer for the more volatile Lawton twins, and they both keep calling on him to fill that role. While Diane moves through the world of End Times religious cults, Jason uses his father's business and political ambitions to build a government agency dedicated to understanding the Spin and, once the Spin membrane is found to be permeable to spacecraft in both directions (but not to signals of any kind), to terraforming Mars to preserve the human race. This works fairly well, until two things happen: it becomes clear to the public that success with the Mars project is not going to save the lives of more than trivial numbers of people on Earth, and the Spin membrane starts flickering, an apparent prelude to breaking down entirely as aging Sol, now reaching the end of its life, expands. This is a beautifully written, completely engrossing book. I've occasion