This study explores the interrelationship between spatiality and subjecthood in the work of Stephane Mallarme, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry. Concerned with various modes of poetry and drama, it also examines the cross-pollination that can occur between these modes, focusing on a range of core texts including Mallarme's Igitur and Un Coup de des; Apollinaire's 'Zone' and various of his calligrammes; Maeterlinck's early...