Sounds

by Wassily Kandinsky

Book Overview

A dazzling yet little-known artist's book that distills the painter's seminal interests in abstraction and the unity of the arts

Wassily Kandinsky (1866-1944) was a Russian pioneer of abstract painting whose work has influenced generations of artists. His Sounds (Kl?nge) of 1912 is one of the earliest, most beautiful examples of a 20th-century artist's book. Its "sound poems" are alternately narrative and expressive, witty and simple in form. They treat questions of space, color, physical design, and the act of seeing in a world that offers multiple and often contradictory possibilities. The woodcut illustrations that accompany the poems range from representational designs to abstract vignettes. In its fusion of image and word, Sounds epitomizes the artist's move toward abstraction and his aspiration to a synthesis of the arts. This updated edition of Sounds includes all of the book's poems in English and German and its woodcuts, twelve of which appear in color for greater fidelity to the original. The translator's introduction offers close formal examination of the poems and situates Sounds in the context of Kandinsky's oeuvre. Although it was prized by prominent 20th-century artists, Sounds is one of the least known of Kandinsky's major writings, and this remains the most authoritative English version.

• Format: Paperback
• Language: English
• ISBN: 0300238495
• ISBN13: 9780300238495
• Release Date: October 2019
• Publisher: Yale University Press
• Length: 152 Pages
• Weight: 0.75 lbs.
• Dimensions: 0.3" x 7.4" x 8.2"

Customer Reviews

A Rare and Wonderful Soundscape

There are and have been, of course, other poets who pay a heavy devotion to the aural aspects of their work in sacrifice of a literarily traceable constructed set of metaphor and message. Cummings comes immediately to mind. However, to my knowledge (and please write me if you can add any) there are none that create such a level of intrigue and pleasure so simply with such mundane tools. Here Kandinsky shows us the incredible wealth of metaphor and depth in the utterly everyday. To so deftly focus our interest on small phrases, a "hello," a "goodbye," is very difficult to achieve without appearing melodramatic and obvious. These are simple poems for thoughtful people. (As opposed, I suppose, to thoughtless poems for simpletons?)