Songs of Innocence and Songs of Experience

by William Blake, Will Jonson, Richard Blake, William; Holmes

Book Overview

As both painter and poet, William Blake (1757-1827) was a powerful and visionary artist whose two early collections of poetry, Songs of Innocence and Songs of Experience, contain memorable lyric verses embodying the emerging spirit of Romanticism. The two works were published together in 1794 with the subtitle, "Shewing the Two Contrary States of the Human Soul."
The poems of Songs of Innocence describe childhood states of...

• Format: Paperback
• Language: English
• ISBN: 0486270513
• ISBN13: 9780486270517
• Release Date: February 1992
• Publisher: Dover Publications
• Length: 64 Pages
• Weight: 0.16 lbs.
• Dimensions: 0.2" x 5.2" x 8.3"
• Age Range: 14 years and up
• Grade Range: Grade 9 and higher

Customer Reviews

no pictures

This is a nice little book (29 pages), but I was expecting to see Blake's drawings/pictures accompany the words. It seems there are many versions of this title. The cover is dark red.

Perhaps Blake's Greatest Achievement

William Blake is one of the most original and influential English poets - so eccentric and ground-breaking that even his biggest fans considered him insane long after his death. The poems in Songs of Innocence & Experience are his most popular and lasting achievement, essential for anyone even remotely interested in poetry and a good place for those new to Blake and poetry generally to start. 1789's Songs of Innocence celebrated innocence as variously reflected in childhood, showing infants' and children's relatively pure mental and physical states before adult corruption. Many of its poems are first person from a child's perspective, and most of the rest describe a child's point of view; others speak to or about them. Blake used appropriately simple vocabulary and form; lines are short, rhymes obvious, and imagery very pared down. Indeed, at first glance, the poems seem puerile. However, a closer look shows they are anything but; despite - or perhaps even to a certain degree because of - this, they have a wealth of significance. They are in fact at least as complex as most far longer works; extremely thought-provoking and often morally ambiguous, they raise a host of important questions. These apparently simple poems address a wide range of theological and ontological queries. They also deal with more practical themes like class, race, and family relations, taking on economic, social, and other concerns. Most of these are answered with conventional platitudes heavily soaked in Christianity; the poems seem a paean to optimism and can be very uplifting, but cynics may even laugh aloud. However, this is only half the story. In 1794 Blake added Songs of Experience, which essentially carried the concept into adulthood. Simple poetic trappings remained, but the tone was now far darker; cynicism and pessimism crept in, showing an opposite plane of thought and seemingly even a different world. Several poems were direct responses to those in Innocence, sometimes with the same name. This greatly multiplied the works' already very complex nature. It is important to remember Blake's subtitle: Shewing the Two Contrary States of the Human Soul. Experience essentially deals with the same questions as Innocence but has contrary conclusions. Having them in the same book is disarming and perhaps somewhat unsettling. Blake does not say which, if either, he believes or show any favoritism; one might say putting the Experience poems last does the latter, but this is merely chronological. He creates a true moral and intellectual murk, leaving us to find our way out - if we can. As this suggests, the poems were not only at the very advent of Romanticism but also very modern in a way literature almost never was until the late nineteenth century. Blake was so far ahead of his time that it is small surprise he was little understood or appreciated. Succeeding generations have seen him and his work in various ways, but the notable thing is that both have endured; his

Pretty Good

This is an excellent compilation of Blake's monumentous work in the English language. I am dissapointed, however, that this does not include some of my favorite poems by him, but it is still, in its entirety, very good. His language and masterful skill is beautiful and I suggest this volume because it is both content rich and economical. As for those who say Blake is a "dork," they might be too if they spend their free time insulting writers who died three hundred years ago. Anyway, happy reading!

A must have!

I recommend that any fan of William Blake buy this volume and the other 5 in the series. The books are beautiful, large, and handsomely bound. Each book is reproduced in full color, using a six-color printing process rather than the standard four. The pages are heavy, opaque and have a gorgous lustre indicating very high quality paper. The text of each book accompanies the color reproductions in standard typeface with very competent commentary to boot.

The Human Abstract in Mystical Form

William Blake is one of the giants of poetry. He is often overlooked because of the obliqueness of many of his poems. But this affordable (read: cheap) collection of poems is well worth the price of admission. Most of Blakes most famous and well loved poems are included in this volume. Most of us had to read at least a couple of these poems in school. The Tyger still stands as one of the great poems of the English language. The Fly, The Lamb, Children of a Future Age, London and Ah, Sunflower are all included here. These are some of the most beautiful poems ever written. Even if you struggle to understand the meaning, the sheer beauty and music of the verses can still carry you away. Anyone interested in poetry needs to read these poems. It is among the best ever written.

Beautiful, significant poetry for those who know poetry.

In order to understand Blake's vision, it's helpful to know as much as possible about the social and historical context in which he was writing, and about the kinds of attitudes and social conditions he was addressing. Without that context, readers are unlikely to appreciate Blake as fully as he deserves to be appreciated. Such readers may write uninformed and ignorant reviews in this column. Those who understand the context in which Blake was writing are likely to have a much deeper appreciation of Blake's poetic beauty and sharp social conscience.