Six Degrees of Separation: A Play

by John Guare

Book Overview

In this soaring and deeply provacative tragicomedy of race, class, and manners, John Guare has created the msot important American play in years. Six Degrees of Separation is one of those rare works that capture both the supercharged pulse of our present era and the deepest and most mysterious movements of the human heart. Six Degrees of Separation won the 1990 New York Drama Critics Circle Award for Best Play, as well as the Hull Warriner Award and...

• Format: Paperback
• Language: English
• ISBN: 0679734813
• ISBN13: 9780679734819
• Release Date: November 1990
• Publisher: Vintage
• Length: 144 Pages
• Weight: 0.39 lbs.
• Dimensions: 0.4" x 5.1" x 7.9"

Customer Reviews

Six Degrees

I was introduced to this play about a month ago when I was cast in the role of Kitty, a friend of the Kitteredges. Intending to only skim the script and hilight my lines, I read the entire play in one sitting. From the opening scene to the closing, I felt like I was being included in the characters' experiences. The characters' personalities are also quite deep. After the first couple of times that I read through the script, I realized that there was so much more to the characters than what was written on the page. Guare does a wonderful job of letting the reader use his imagination and create his own backgrounds and deeper personalities for the characters. This play is an intellectual-artsy type for those who are willing to examine their trust for strangers.

A disturbingly funny play that examines race and class.

Based on the true story of a wealthy, well-meaning liberal couple in the upper echelons of New York society's upper crust, we have Flan or Flanders Kittredge and his wife Ouisa or Louisa; the former is a standoffish but deep down good-hearted art dealer in the private sector who has a penchant for the works of Kandinsky and Cezanne; the latter is his wife, articulate and intelligent who is in need of something of greater meaning and depth other than money, art, fancy restaurants and wealthy friends. And so the evening commences with a friend from South Africa; they are discussing poverty, the downtrodden and the oppressed, overblown intellectual banter to elevate the ego and make the evening progress smoothly and divinely. But the night is anything but that, for it is dramatically interrupted by Paul - a young black homosexual flimflammer or Peter Funk man with a penchant for male street hustlers (only when he is happy - his words). He comes into the lives of these two unwitting victims after stabbing and passing himself off as a friend to their children who are at Harvard. And what else does her profess? You guessed it - that he is the son of you-know-who: Academy Award winner Sidney Poitier, the most eminent black actor of his generation, the hero that has been the catalyst for the lives of these socially and politically 'aware' forty-somethings. Paul charms and bedazzles himself into the lives of those he encounters, using his wit, knowledge, ease and most importantly, his race, more specifically, Sidney Poitier's name. As the play intensifies, Paul promises the Kittredge's and future unsuspecting victims minor roles in the movie version of Cats, for which his 'father' is purportedly directing. The victims salivate over the prospect of being in a Poitier film, and they let their guards down, for their humdrum existence now has that depth and meaning that was missing at the beginning of the play; it has that structure that their kids, their careers, their money and their friends could not provide. It has a purpose. An assumed black actor's son is mugged in Central Park. And the kind Kittredges help him out. When life is not all that we want it to be, it is easy to have the wool pulled over our eyes. We believe because we want to believe. That is the meat of this play. This play is complex because of the issues that are addressed; it is not just about race and economics, but it is about the purpose of existance in life. This work evolves and reveals so many layers, layers that are eventually reached, and thus, a truer gift of insight gained. Ironically, in the environment of the wealthy elite and the established intelligentsia, it was a sharpie who made this couple and others similar to them see the gift that life and living really is.

An essential bit of theater.

John Guare has created a witty, creative, funny, and tragic play with his SIX DEGREES OF SEPERATION, based upon the true story of a wealthy Manhattan couple who are fooled into allowing a con-man who claims to be a friend of their Harvard children, and the son of actor Sideny Potier into their home. Paul, the con-man in question, is a homosexual who has previously seduced a lover into telling him secrets about people in this upper-class Manahatten community. Paul even goes so far as to stabbing himself and claiming that he was mugged for his briefcase. Mr. guare has adapted this story to the playbook with astoinding creativity and brilliance. His characters grow and learn with each passing scene. Mr. Guare is an incredible author who has built a beautiful world on the stage. I can't imagine how wonderful a sight this must be when seen live. SIX DEGREES OF SEPERATION is essential when studying or performing modern theater. Nothing this decade has stood out as much as this play.

Guare's best

A wonderful play based on an actual event. Right up there with Equus and Arcadia in quality and depth. Strongly written, but also deftly written. I had the opportunity to see it performed (twice) with Stockard Channing (also in the movie version - which was good, but not exceptional) and Courtney B. Vance (@ Lincoln Center). Definitely read it. Even more definitely - go see it performed if you can.

Six Degrees is incredible!

this is a brilliant play and the movie adaption goes by the screenplay almost word-for-word, scene-by-scene. it is about many things, primarily dealing with the nature of social role. but you'll find more than that, you'll find issues in meaning, art, color, dreams, all wrapped up into what can be seen as a social commentary.