The space of performance dictates what can occur within it. A proscenium stage as opposed to a thrust stage or black-and-white film as opposed to color film conditions what a Shakespeare script can communicate to an audience. The productions and their accommodation to their medium that this book treats in detail include television productions such as the Shaw-Warner Richard II , the Caird Henry IV, the Hytner Twelfth Night, the Eyre King Lear, and...