The explosive new saga continues The year is 2063. Earth has been reborn, unleashing long-dormant magical forces across the globe. Megacorporations rule from on high, while organized crime syndicates rule the underworld. Sliding through the cracks are the shadowrunners-professionals who will do anything for a profit . . . and anything it takes to get the job done. Bannickburn is a burned-out Scottish mage with little power and fewer prospects when he falls into fast company. A notorious crime boss, Bigio family caporegime Quinn Bailey, offers him a job that could turn his life around. Soon Bannickburn is living once again in the style he's accustomed to. But when Bannickburn tries to leave the family, Bailey calls in his markers, and Bannickburn must aid the Bigios as they pit themselves against a rival mob in a power struggle that moves from the Seattle sprawl to the elven enclave of Portland.
None of the previous reviews address this book's strengths. First, it is one of the better written Shadowrun novels. Second, it's very, very funny. Consider the following: "He jumped into the sidecar just as the box of caviar fell into his lap. 'Hold on to it this time! No using it as a weapon!'" or, "He turned to Stephen and Bruce. 'Thank you gentlemen. Let's have a chat tomorrow about ways we can avoid me being held prisoner in my office for six hours while you play dice with my captors, hmmm?'" Third, I disagree that the book doesn't deal with what makes Shadowrun unique; the book just connects those difference with the human drama that makes all stories work, and in a more subtle way than the regular Shadowrun formula of "inexperienced but good-hearted neophyte with increadible potential comes into his/her powers and saves the world." In this case, the source of the drama is something as base as the will to power. Bannickburn isn't concerned with losing his magical ability, he's concerned with losing the ability that magic gave him to awe, intimidate, and generally get some respect, and he'll take stupid risks to feel the buzz of power again, however he can. The book shows that the path of the burnout is not unique. It's very much like the path of the decker hobbled by psychotropic IC, the path of the street sam whose implants are no longer SOTA, or the path of the corporate Johnson who gets eased out of the most important jobs and gets stuck in a branch office--everybody who runs the shadows wants to be on top, sooner or later they get too old or push too far. Characters really get interesting when they've been knocked off the top, and are out of their element. While it may not appeal to munchkins who want to see a superpowerful mage toss fireballs that level buildings, this is a book I would give to friends who have no interest in Shadowwrun at all--its just a very fun read. I would recommend it to seasoned Shadowrun players interested in how to build psychological depth into characters--and not just add dice to spellcasting rolls--over time. This is a better novel than Born to Run, Poison Agendas, or Fallen Angels. This is Shadowrun at its most interesting.
Enjoyable Read
Published by Thriftbooks.com User , 18 years ago
I really enjoyed this novel, much more so than the other Shadowrun book I have read. The author really did a good job with the characters, developing them enough that I still liked them despite some of the things that they did. He made the story more 'real' to me. He is obviously an excellent writer.
Drops of Corruption
Published by Thriftbooks.com User , 18 years ago
Jason Hardy does a great job in his first contribution to the Shadow Run series. His unique twists make Drops of Corruption a must read even for the passive Shadow Run fan.
Best written Shadowrun book ever
Published by Thriftbooks.com User , 18 years ago
Shadowrun books have never been a big hit with me but this one is a huge step above the others. Many times the books get so wrapped up in the matrix and the idea of computer jacks in people's heads that the characters and plot line suffer terribly. Not so with this book. Jason M. Hardy goes out of his way to provide both a good plot and excellent characters in a genre where previous writers have rarely bothered.
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