Providing an analysis and including discussion (interviewing artists, curators and critics and accessing non-catalogued personal archives) towards a new chronology, Richardson here examines and proposes a sequence of precisely denoted 'exemplary' works which outlines a self-conscious definition of the interrogative term 'Scottish art.' Richardson addresses key areas of cultural politics and identity to illuminate the development of Scottish art, enhancing our understanding of the dynamics of art practice today.
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