This is a rarity in contemporary writing, a truly bilingual enterprise, as in Susana Ch?vez-Silverman's previous memoir, Killer Cr?nicas. Ch?vez-Silverman switches between English and Spanish, creating alinguistic mestizaje that is still a surprise encounter in the world of letters today, and the author forms one of a small but growing band of writers to embrace bilingualism as a literary force. Also like Killer Cr?nicas,...