The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia. In Sanja Ivekovic's Triangle (Trokut, 1979), four black-and-white photographs and written text capture an eighteen-minute performance from May 10, 1979. On that date, a motorcade carrying Josip Broz Tito, then president of Yugoslavia, drove through the streets of downtown Zagreb. As the President's limousine...