Samurai Executioner Volume 7: The Bamboo Splitter

by Goseki Kojima and Kazuo Koike

As Samurai Executioner continues in its own world of crime and punishment, honor and bushido, we are beginning to learn more about the characters and situations involved in Edo-era justice. We learn about Kubikiri Asa, the shogun's decapitator, and his stoic, joyless existence, with stories of his childhood and their impact on his present life. We also learn more about the peace officers of the era, such as Catcher Kasajiro, the charming young man...

• Format: Paperback
• Language: English
• ISBN: 1593072767
• ISBN13: 9781593072766
• Release Date: December 2005
• Publisher: Dark Horse Manga
• Length: 304 Pages
• Weight: 0.46 lbs.
• Dimensions: 1.0" x 4.2" x 6.1"
• Age Range: 18 years and up

Customer Reviews

"Catcher" Kasajiro tries to solve the mystery of the Bamboo Splitter

"The Bamboo Splitter," Volume 7 in the collected "Samurai Executioner" tales of Kazuo Koike and Goseki Kojima, continues their look at crime and punishment in the Edo period of the history of the island kingdom of Japan. There are five stories collected in this volume, the first three of which are more examples of how Yamada Asaemon makes sure that his execution conform to both the law and his own personal standards. The last two stories make up a single tale in which Asaemon is more of a bystander as a pair of familiar supporting characters again play major roles in the tale being told. (29) "Heading to a Festival" is an ironic title because the locals do not want Yamada Asaemon around for the coming Myojin festival, because they believe it will bring them back luck. After all, who wants the god of death looking down on them during a festival? So the executioner goes to the constables' office to stay for the three days of the festival. There he hears of Runaway Kichibee, who has been exiled to an island for twenty-four years and wants to see his hometown festival once more before he dies. Asaemon wonder if a festival is something so nostalgic that it would be worth dying for. That night he remembers when he was a small boy and found a mask worn by others attending the festival, and it turns out he still has the mask. You would think that he could use the mask to attend the festival in secret, but Asaemon did not do that as a boy and he has a different use for the mask as he performs his duties the next day. (30) "The Last Performance" is the story of Sakurakawa Shuntei of the Dotegura stage, who was having an affair with Michi, the wife of Rokuemon of the Asuke-ya sock store. Caught in the act, Rokuemon kills his wife and then the actors kills the husband, for which he is sentenced to die. When Asaemon listens to his last words, the storyteller begs to give a final performance and submerge himself in his art so that he can die without dishonor. Asaemon agrees and we finally get to hear the executioner laugh. (31) "Karmic Fire" is about an old crone who succeeds in fooling her prison guards and who insists "headchopper Asa" will not be able to cut off her head when he faces her magic. To the surprises of the guards, Asaemon asks to spend the night before the execution with the old woman, who is apparently insane. She tries to hypnotize Asaemon and he pretends that she has succeeded. You see, if you decapitate someone who does not understand that they have committed a crime, that is not true punishment. So Asaemon devises a test to see if the old woman is truly insane (possessed by a fox according to the legends) and should be spared, or merely playing a game. (32) "The Bamboo Splitter" begins with the investigation of the latest of a series of murders. When more occur the next night "Catcher" Kasajiro consults Asaemon to see if he can solve the mystery. Asaemon has a few ideas, but then announces he would like to get so