The traditional view of Samuel Johnson as hostile to particulars, trifles, and aesthetic mediocrity only half-explains his authorial character. Samuel Johnson and the Art of Sinking 1709-1791 argues that, in a period dominated by social and literary hierarchies, Johnson's works reveal a defining interest in "little," "mean," or "low" topics and people. Freya Johnston moves away from a critical emphasis on what literature of this period excludes,...