Over the course of a career now in its fourth decade, Bruce Springsteen has earned one of the most passionate, devoted followings in all rock 'n' roll. He's selling more records and concert tickets in his fifties than he sold in his twenties. Yet to many fans he remains an enigma. How has Springsteen produced such a consistent body of work and retained his currency while other top rock 'n' rollers have gone by the wayside? Jimmy Guterman, an accessible and entertaining music writer, has been writing about Springsteen since the late 1970s. In Runaway American Dream , he delves deep into dramatic and crucial moments from every phase of Springsteen's career, interpreting the songs and incisively commenting on the man and the culture at large to deliver a nuanced portrait of The Boss from the earliest days right up to Springsteen's 2005 album, Devils & Dust .
Okay, this might not be a "definitive" history of Spingsteen's music - for that, look for Marsh's TWO HEARTS or more recently Kirkpatrick's WORDS AND MUSIC OF BRUCE SPRINGSTEEN - but Guterman's might be the most entertaining read in the Springsteen book "canon." Entertaining, quirky, and (usually) right on target.
A Springsteen book for fans and non-fans alike.
Published by Thriftbooks.com User , 19 years ago
Bruce Springsteen is a Rust Belt rocker who made a splash by writing Manfred Mann's psychedelic No. 1 hit "Blinded by the Light." Springsteen's career as a solo artist, however, has been marked by play-it-safe arrangements and heavy reliance on do-re-mi melodies (better for mumbling, I suppose). As Guterman notes, his music hasn't progressed all that much over the decades. Springsteen does shine as a live performer and lyricist, which Guterman documents with his unmatched blend of insight, anecdotes and self-deprecation. Springsteen's strengths play into the built-in biases of mainstream art criticism. That's because it's easier to accessibly discuss lyrics and shows than to write about melody and music theory, even though lyrics are to a song what paint is to a house - important, but easily changed and unindicative of its potential beauty. But frankly, Guterman, who's the greatest rock journalist in the business despite being a part-timer, could make any subject interesting and entertaining, and his essays on Springsteen are no exception.
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