First published in 1990, this book argues that any theory of language constructs its 'object' by separating 'relevant' from 'irrelevant' phenomena - excluding the latter. This leaves a 'remainder' which consists of the untidy, creative part of how language is used - the essence of poetry and metaphor. Although this remainder can never be completely formalised, it must be fully recognised by any true account of language and thus this book attempts...