Rodrigo, Triston, Livingston, Clarisse, and Micah view theater and art as religion. The Play's spiritual theater presentation (or service) and religion thrive on ambiguity during ceremony and ritual. Amidst unexplained supernatural events, demons, and regular vampire attacks, poolside planning and party chatter escalate as the opening of The Play approaches. Keeneland Race Course remains a rich backdrop that keeps the characters engaged with the...