Robin: Wanted

by Adam Beechen

Book Overview

Written by Adam Beechen Cover by Patrick Gleason Art by Freddie Williams II, Karl Kerschl and Wayne Faucher Tim Drake is wanted for murder in this new volume collecting ROBIN#148-153! The leader of... This description may be from another edition of this product.

• Format: Library Binding
• Language: English
• ISBN: 1435267818
• Release Date: January 1
• Publisher: Paw Prints 2008-05-09
• Weight: 0.80 lbs.
• Dimensions: 10.3" x 6.8" x 0.5"

Customer Reviews

Very Wanted

The boy wonder is framed for murder. It's the end of infinite crisis and the beginning of a new year and he's framed for murder and Robin must use his detective skills to prove his inn-o-cennce. Oh yeah, Batgirls' personality change is explained in 'Teen Titans: East' also a very good story.

a good read

The art work is nice but I always felt that Cassandra Cain (Batgirl) should be prettier. The nose is bit too big in this graphic novel. The change of character from "destruction daughter" needs more explanation probably from the coming issues.

Robin: Wanted

At the start of Robin: Wanted, our young hero is being pummelled by blows from an unseen assailant, not depicted; all we see are the hits to Robin's body. This seems a bit of a 'cheat' to hide a killer's identity, although the flipside is that it makes us identify with Robin's suddenly disjointed point-of-view. He is ambushed so quickly and effectively that he is thoroughly confused , and unable to to identify his attacker in even the slightest way. Actually, this technique seems reminiscent of films where a stalker or killer is always depicted in shadow, or partly obscured, or running away in the distance, until that moment when the lighting is finally helpful and the killer is revealed. In the case of what's happening to Robin, though, we have a fairly prolonged fight where effort must be taken to show that Robin is not a careless amateur who can't detect a single clue about who is in close, clobbering him. This is achieved by having Robin's vision hampered by floodlights, and some smoke, so that Robin ends up looking quite proficient at holding his own in a difficult situation. In the end, the feeling of a 'cheat' is cleverly negated; the plot demands that neither Robin nor the reader easily discern the identity of the attacker, but I would say that fights that go on for three pages where we don't see one of the combatants--just black streaks of motion like hostile wet-paint--are not very exciting to look at. Interestingly, when the ambusher later goes on to attack and kill a petty criminal named Annalea, we see more of the attacker revealed--a leg, two hands gripping Annalea's head and preparing to Do The Twist. And since the killer's identity is successfully hidden then, I don't know why Robin couldn't at least have been shown to be fightingg a human being, not deadly ink smears. Next, two invasions of two near-impenetrable fortresses for the price of one. Robin is forced to infiltrate a Gotham City Police station in order to retrieve a Batgirl costume taken off the body of a girl he is accused of murdering, so he can search it for clues that will help clear his name. Later on, it is also necessary that he sneak into super-secure Blackgate Prison to break out the notorious David Cain, so he can hand Cain over to the person who has framed him and is threatening to execute a hostage Robin cares for deeply. Both of these incredible stealth missions go a long way in showcasing how talented Robin really is, especially Robin's effectiveness against an army of cops who suddenly become aware of his presence in their own building. Robin's technique for eluding not only regular police officers but also an elite, organic, free-range, hickory-smoked, Cajun (sorry: forget "organic, free range, hickory-smoked, Cajun"; I've been reading too many slick, trendy product labels at the grocery store lately, and I apologize. Just: elite) team of SWAT personnel specially trained, armed, and armored to subdue costumed-types a lot tougher than a non-p