Resuscitation of a Hanged Man

by Denis Johnson

Book Overview

Originally published: New York: Farrar, Straus and Giroux, 1991.

• Format: Paperback
• Language: English
• ISBN: 0140165223
• ISBN13: 9780140165227
• Release Date: March 1992
• Publisher: Penguin Group
• Length: 256 Pages
• Weight: 0.45 lbs.
• Dimensions: 0.5" x 5.0" x 7.7"

Customer Reviews

Outstanding book...

This book was quite enjoyable. It is impossible not to get submerged into the story, Johnson hooks you and never lets go. Denis Johnson is a master of the English language. It seems like every word is necessary for the story. Johnson has a focus on providing the reader a well-written novel that lacks useless page filling words. Resuscitation of a Hanged Man makes you question your own life. This book is truly a work of art. A+ for Denis Johnson and Resuscitation of a Hanged Man.

Eerie and compelling book

A proper summary is not really possible here. You could say its about a lonely, bewildered character investigating some sort of paramilitary conspiracy in a seaside town full of transvestites. It's the voice that is really unique, though. The voice and the aching sense of bewilderment that hovers over everything are what sustain the interest, and create a superb eerie atmosphere. There are some belly-laughs too. This is the fourth Denis Johnson I've read, and would recommend it along with Jesus Son, the Name of the World and the Stars at Noon.

poetesque

Denis Johnson is one of our most talented writers and poets today. He may be underrated, and younger writers like Rick Moody overrated. Johnson is able to get to the soul of matters, to the loneliness that inflicts his protagonists, to an almost Pynchonesque far-fetched series of events that bring novelty to this work--and all using readable prose, evocative images, and unfailing dailogue that strike me, at least, as authentic. Goobers. This man's for us and generations to come.

The magical talent of a born poet

It seems unlikely that anyone affluent and successful, or, to use a borrowed phrase, comfortable and powerless, would go in search of anything. Therefore Denis Johnson depicts characters in need, whose only true choices lie in how to fail, and they search endlessly for things, things as disparate as their own souls, meaning in the world, the love of another human being, a sensible ordering of their own thoughts. Their quests bear the taint of madness and of poetry - it is not surprising that they, his protagonists, not least Lenny English in this novel, cultivate ecstatic relationships with their gods, for such relationships blur all too readily into madness. * First and foremost Johnson is a poet. He prises moments and emotions from the depths of ordinariness and sets them wet and gleaming before our eyes. He gives us an insight into a human mind, its particular way of seeing (and avoiding) the world. Consequently, plot is of secondary importance, yet nevertheless this tale has twists and surprises enough to carry the reader steadily along, calmly swimming through events while waiting for the next unsettling insight, the next beautiful passage of prose. * It's also very funny. The humour can come from absurdity, or just from his ear for smart...conversation. He's read Kerouac and moved a long way on from there. In fact, Johnson is plain better than Kerouac. * If you like literature, then this novel is essential, as is Johnson's poetry, collected in "The Throne of the Third Heaven of the Nations Millenium General Assembly", and his short story collection "Jesus' Son". * It's interesting to compare what he's doing with the projects of other, perhaps more feted, contemporary American authors - say, Richard Powers or Don Delillo. For mine, Johnson has fathomed his own soul far deeper than either of these men, and he is not ashamed to expose himself, and he has sharpened his means of so doing. In contrast, Delillo's characters appear soulless, hiding from themselves and his readers; Powers presents people in fractions, their shiny sides open for view, with sneaky peeks at their libidos, and their darker sides miraculously forgotten or rationalised - both these writers of encyclopedic fiction feel almost cowardly when set beside Johnson's work, and neither of them can tell a joke; their prose is often laboured and stupidly erudite, with no hope of attaining the grace of Johnson's, yet their books are without doubt amongst the best being written today. So how good does that make Johnson? Most probably he is a god-forsaken genius. More people need to know about him. For the sake of the world, read his books and spread the word.

This was a great book

This was a great book, I liked it much better than "Angels" which most people think is Johnson's great novel. This book is quirky and wonderful, the absurdities in the book help to illustrate the serious, underlying themes.