A celebration, in novel form, of the legendary avant-garde filmmaker's beloved machine On March 25, 1997, Lithuanian American filmmaker, poet and artist Jonas Mekas (1922-2019) found a dusty roll of computer paper under his desk. He stretched the paper into his beloved Olympia De Luxe, on which he had typed all kinds of texts for so many years: diaries, poems, Movie Journal columns, interviews, manifestos and letters...