THE STORY: At home on Christmas Eve, Rachel is informed by her guilty husband that he has hired a hitman to kill her, and she must flee for her life--which she does by scrambling out the kitchen window and into the snowy night. She meets and joins u
What I love about this play is that every time you read it, you find new tidbits to muse over. It's twisted, unexpected, and you should be reading it now instead of these schmucky reviews.
0Report
I've just finished acting in this play. I played Rachel, the Alice in Wonderland-esqe protaganist who keeps getting tossed and turned, from Springfield to Springfield, until she is finally forced to make some very interesting conclusions about the reckless world she discovers she is living in. RECKLESS conveys such a wide range of emotions, and any reader who can remember the magic of Christmases past, the glorious expectations...
0Report
The play is existentialist in nature, but not unapproachable. It is funny and sad, lighthearted and dreary. It layers daily, late 20th century, silly modernisms and affectations with subtle philosophical ponderings. Rachel is delightful and strange. The audience feels for her as she endlessly quests from one Springfield to another, realizing that Santa and Satan are inherently related and that you can never really know...
0Report