Reality TV: The Work of Being Watched

by Mark Andrejevic

Book Overview

Drawing on cultural theory and interviews with fans, cast members, and producers, this book places the reality TV trend within a broader social context, tracing its relationship to the development of a digitally enhanced, surveillance-based interactive economy and to a savvy mistrust of mediated reality in general. Surveying several successful reality-TV formats, the book links the rehabilitation of 'Big Brother' to the increasingly important economic...

• Format: Paperback
• Language: English
• ISBN: 0742527484
• ISBN13: 9780742527485
• Release Date: October 2003
• Publisher: Globe Pequot Publishing Group Inc/Bloomsbury
• Length: 253 Pages
• Weight: 0.80 lbs.
• Dimensions: 0.6" x 5.8" x 9.0"

Customer Reviews

From the New York Times

Greeting Big Brother With Open ArmsBy EMILY EAKINPublished: January 17, 2004For 50 years, Big Brother was an unambiguous symbol of malignant state power, totalitarianism's all-seeing eye. Then Big Brother became a hip reality television show, in which 10 cohabiting strangers submitted to round-the-clock camera monitoring in return for the chance to compete for $500,000. AdvertisementThat transformation is telling, says Mark Andrejevic, a professor of communication studies at the University of Iowa at Iowa City. Today, more than twice as many young people apply to MTV's "Real World" show than to Harvard, he says. Clearly, to a post-cold-war generation of Americans, the prospect of living under surveillance is no longer scary but cool.Media critics have frequently portrayed the reality show craze in unflattering terms, as a sign of base voyeurism (on the part of viewers) and an unseemly obsession with fame (on the part of participants). But Mr. Andrejevic's take, influenced by the theories of Theodor Adorno and Michel Foucault, is at once darker and more subtle.Reality shows glamorize surveillance, he writes, presenting it "as one of the hip attributes of the contemporary world," "an entree into the world of wealth and celebrity" and even a moral good. His new book, "Reality TV: The Work of Being Watched" (Rowman & Littlefield), is peppered with quotes from veterans of "The Real World," "Road Rules" and "Temptation Island," rhapsodizing about on-air personal growth and the therapeutic value of being constantly watched. As Josh on "Big Brother" explains, "Everyone should have an audience." At the same time, Mr. Andrejevic (pronounced an-DRAY-uh-vitch) argues, the reality genre appears to fulfill the democratic promise of the emerging interactive economy, turning passive cultural consumers into active ones who can star on shows or vote on their outcomes. (The series "Extreme Makeover" takes this promise literally, he notes, "offering to rebuild `real' people via plastic surgery so that they can physically close the gap between themselves and the contrived aesthetic of celebrity they have been taught to revere.") As seductive as this sounds, in Mr. Andrejevic's view reality television is essentially a scam: propaganda for a new business model that only pretends to give consumers more control while in fact subjecting them to increasingly sophisticated forms of monitoring and manipulation. As he put it in a telephone interview: "The promise out there is that everybody can have their own TV show. But of course, that ends up being a kind of Ponzi scheme. You can't have everybody watching everybody else's TV show. And since that's not possible, in economic terms, the way it's going to work is according to this model of a few people monitoring what the rest of us do." Think of TiVo or Replay, he said. These digital recorders allow people to watch the television shows they want when they want to. But in return, he points out, the recorders' manufacturers g