offers a manifesto of sorts through a critical reading of an anthropological classic, Theodora Kroeber's 1961 book, Ishi in Two Worlds: A Biography of the Last Wild Indian in North America.
The heart of the analysis involves a five-play cycle, built around Gerald Vizenor's trickster-survivance model. It gives Ishi a voice he never had in Kroeber's book and imagines an Ishi who was not the happy...
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